Berkeley Art, Finance, and Law Symposium 2023

Art Law symposium announcement with link to registration page

The latest developments at the intersection of art, finance, law, technology, and culture

This interdisciplinary symposium is intended for professionals and enthusiasts interested in cutting-edge research at the intersection of art, finance, law, technology, and culture. Prominent speakers from academia, government, and practice will come together to share their insights on various topics pertinent to the field.

Confirmed speakers and topics of discussion include:

  • UC Professor Alva Noë, on The Entanglement: How Art and Philosophy Make Us What We Are
  • OpenAI Deputy General Counsel Che Chang, Morrison Foerster Attorney Heather Whitney, and UC Assistant Dean Adam Sterling, on authorship of art made using AI models
  • Visual Artist MGP Andersen, on Drawing Lines: An Artist’s Perspective
  • UC Professors Pamela Samuelson and Peter Menell, and Berkeley Law JD ’23 Samantha Cox-Parra, on Andy Warhol Foundation v. Goldsmith
  • Fine Art Museums of San Francisco Curator Emily Beeny, Asian Art Museum of San Francisco Deputy Director Robert Mintz, and Senior Fellow, Curator, and UC Lecturer Carla Shapreau, on legal developments related to provenance and due diligence
  • Co-Chief, Money Laundering, U.S. Attorney’s Office, SDNY Jessica Feinstein, Sullivan & Cromwell Partner Sharon Cohen-Levin, and UC Professor Frank Partnoy, on international fraud and money laundering in the art world

The full program brochure is available here.

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Interested in being a sponsor? Learn more about sponsorship opportunties.


Canvas Newsletter

Explore Canvas, our newsletter dedicated to the art world and its intersections with law, finance, technology, and culture. You can view past issues here  — and don’t forget to subscribe here!

  • Canvas, Issue 23

    This month, we reflect on an extraordinary year for the Berkeley Art, Law, and Finance Project—and look ahead to what's next.
  • Canvas, Issue 22

    This month, we cover the $102M Louvre heist, Getty's AI lawsuit loss, Vatican's Indigenous artifact returns, Trump's arts commission firing, and fractional ownership democratizing art.
  • Canvas, Issue 21

    This month, we cover deepfake legislation, Anthropic's $1.5B copyright settlement, the shutdown of Christie's digital art department, and the $136 million Sotheby's Karpidas sale.
  • Canvas, Issue 20

    This month's issue includes artwork legal personhood proposals, federal arts policy shifts, restitution cases, exhibition censorship, declining sales, new E.U. import regulations, and AI authentication.
  • Canvas, Issue 19

    This month, we cover policy upheaval—Trump halts grants and proposes eliminating the National Endowment for the Arts, as well as the art market's mixed signals and cultural property law.
  • Canvas, Issue 18

    This month, we cover the Trump administration's actions against cultural institutions, heritage battles, art fraud legal developments, AI's creative impact, and spring market trends.
  • Canvas, Issue 17

    This month, we cover AI copyright milestones, major museum renovations, technological reshaping of art, traditional concerns in cultural heritage preservation, and art market dynamics.
  • Canvas, Issue 16

    This month, we bring you the latest on the legal dramas of art market heavyweights, evolving trends in art investment, the rise of AI-generated art, and AI fashion stepping into the spotlight.
  • William Otton - Diebenkorn and Cezanne Meet in Santa Barbara, oil on canvas 34x40

    Canvas, Issue 15

    This month, we highlight legal troubles for big names in the art market, spending patterns of art investors, AI-generated art going mainstream, and AI-generated fashion.
  • Painting of San Francisco Buildings

    Canvas, Issue 14

    This month we highlight news of the effect of interest rate cuts on the art market, social activism, a groundbreaking green initiative, an explosion of immersive art, and more.

Program Details

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Who

Professionals and enthusiasts interested in cutting-edge research at the intersection of art, finance, law, technology, and culture. Those welcome include: Private collectors, wealth managers, art dealers, auctioneers, artists, investors, technologists, professional advisors, financial services, entertainment, and technology executives, policy-makers, representatives of public institutions, lawyers, scholars, and researchers.

What

An intimate discussion to engage art, finance, and legal professionals at large and industry players at all levels.

When

June 8, 2023

1:00 – 7:00 PM PT

Where

SFMOMA
151 3rd St
San Francisco, CA 94103

View map view of nearby hotels

Fees

The registration fee is $100 per person. Proceeds will be used by UC Berkeley to build a new institute for the study of art, finance, law, technology, and culture. Scholarships are available for students.

Admission

Space is limited, so we encourage you to register early. 

MCLE Credit

California MCLE credit will be offered.  

Questions?

Contact us at bclb@law.berkeley.edu