The Berkeley Digital Library Copyright Project aims to investigate copyright obstacles faced by libraries and other like-minded organizations in their efforts to realize the full potential of present and future digital library initiatives. Our efforts are concentrated on both the obstacles themselves and the range of possible legal, technological, social, and market-based solutions to overcome them. Among other issues, we are specifically examining challenges with respect to orphan works, library privileges, digital lending, and metadata ownership. We are also examining a full range of possible solutions to some or all of these issues, including private ordering solutions, licensing, legislative reform, or the application of existing doctrines, such as the United States’ fair use provision. We intend to be responsive to new legal developments as they arise and will add other specific issues to our research agenda as needed. Project goals include:
- Identifying and clarifying the legal issues that must be addressed for digital libraries
- Bringing together libraries and other key stakeholders to understand concerns, and
- Developing recommendations for the legal and policy changes necessary to enable digital library initiatives
Research, white papers, conferences, workshops, and information on other project-related outputs and events will be available from this page.
ABOUT US
The Berkeley Digital Library Copyright Project is generously supported by the Alfred P. Sloan Foundation. Principal investigators are Professors Pamela Samuelson, Jason Schultz, and Jennifer Urban. The project also draws upon the expertise of others in the Samuelson Clinic and across the Berkeley Law community.
David Hansen is the Project’s Digital Library Fellow, a position created specifically to assist in the project’s research outputs. David Hansen has been hired to fill this position for a two-year term. David joined the Digital Library Copyright Project in September 2011. Before coming to Berkeley, he interned in the Office of Scholarly Communications at Duke University Libraries. While there he worked on numerous open access and library copyright issues. David also worked with the UNC-Chapel Hill Law Library in a number of roles, most recently as their Graduate Assistant—a position designed to help transition library students into the profession of law librarianship. He holds a J.D. from the University of North Carolina at Chapel Hill School of Law, holds a Master of Science in Library Science at The University of North Carolina at Chapel Hill School of Library and Information Science, and is a member of the Bar of North Carolina. You can contact him at: dhansen@law.berkeley.edu
Gwen Hinze is the Project’s International Copyright Fellow, a position created to address the increasingly international nature of digital library copyright issues. From 2002-2012 Gwen served variously as International Director, International IP Director, and Staff Attorney, at the Electronic Frontier Foundation (EFF), a non-profit focused on civil liberties issues in the digital world. At EFF she focused on educating policy-makers about the need for balanced intellectual property regimes that protect creators, promote access to knowledge, foster technological innovation, and empower digital consumers. Gwen has worked in global coalitions with civil society organizations, library organizations, and technology industry groups in international and national policy venues for many years. Before EFF, she practiced at international law firm Allens, and worked for the Australian government in public policy and litigation. Gwen is a member of the State Bar of California and holds honors degrees in law and philosophy from Monash University, Australia. You can contact Gwen at: ghinze@law.berkeley.edu
RESEARCH & PROJECT OUTPUTS
One of the project’s goals is to develop the intellectual foundation for legal and policy changes in copyright law needed to support the digital public library efforts. The project outputs posted on this page were created in support of that goal.
Fueled by recent public and private efforts to improve access to scholarly works, academic libraries and archives are increasingly digitizing their special collections and creating online repositories for scholarly works. This enhanced online presence has increased libraries’ exposure to takedown requests from rightsholders and other concerned parties. Using survey questions and interviews, we examined academic libraries’ interaction with both Digital Millennium Copyright Act (“DMCA”) and non-DMCA takedown notices. We found that academic libraries most commonly receive non-DMCA takedown requests that are based on non-copyright issues (such as privacy) or that target materials the library itself has placed online. In general, libraries have well-developed norms and practices in place to manage these types of requests to remove material. We also found, however, that formal DMCA notices directed to libraries have historically been rare, but that this may be changing as open access repositories hosted by libraries grow. In tracing the recent experience of academic libraries that have received DMCA takedown notices targeting material in their open access repositories, we found that libraries have not yet developed norms and practices for addressing these requests. We discuss why this might be, and suggest steps libraries, publishers, and authors can take to best manage copyright conflicts while supporting libraries’ missions to preserve and provide access to knowledge.
In March, 2014 members of the Berkeley Digital Library Copyright Project submitted comments to the European Commission on its review of EU Copyright rules. The Berkeley comments focused on updating EU law to encourage the development of systems that would facilitate digital resale and digital lending, embrace flexibility through provisions such as fair use, and to develop copyright formalities and related tools to encourage the creation and dissemination of more copyright-relevant information via metadata and in registries.
In May 2014 the Samuelson Clinic released a handbook, “Is it in the Public Domain?,” and accompanying visuals. These educational tools help users to evaluate the copyright status of a work created in the United States between January 1, 1923 and December 31, 1977—those works that were created before today’s 1976 Copyright Act. The handbook walks readers though a series of questions—illustrated by accompanying charts—to help readers explore whether a copyrighted work from that time is in the public domain, and therefore free to be used without permission from a copyright owner. The handbook was originally developed by Samuelson Clinic students for the Student Nonviolent Coordinating Committee Legacy Project (“SLP”), a nonprofit organization run by civil rights movement veterans that is creating a digital archive of historical materials.
Over the last decade, the problem of orphan works — i.e., copyrighted works whose owners cannot be located by a reasonably diligent search — has come sharply into focus as libraries, archives, and other large repositories of copyrighted works have sought to digitize and make available their collections online. Although this problem is certainly not limited to digital libraries, it has proven especially challenging for these organizations because they hold diverse collections that include millions of books, articles, letters, photographs, home movies, films, and other types of works. Many items come with a complex, unknown, and (often) unknowable history of copyright ownership. In this article we present evidence that the orphan works problem is very real and that it inhibits many socially valuable uses of copyrighted works by libraries, archives, museums and other memory institutions. We then canvas the array of potential solutions, and ultimately conclude that fair use, combined with the Copyright Office’s remedy limitation approach, are better approaches for addressing this problem in the United States than alternatives proposed elsewhere. Finally, we explore future-looking changes, such as the reintroduction of copyright formalities and the development of registries, that would reduce the number of orphan works in the future.
On June 4, 2013 Pamela Samuelson, Jennifer Urban and David Hansen of the Berkeley team filed an amicus brief on behalf of 133 academic authors in the appeal of the HathiTrust digital library case. The brief argues that the Authors Guild, which has requested that the court impound and enjoin the use of all 7.3 million potentially in-copyright books in the HathiTrust corpus, does not have standing to make such broad claims because it and its co-plaintiffs have only identified 116 works for which they claim ownership. For the remainder of the 7.3 million books in the HathiTrust corpus–many of which are more likely authored by academic authors than anyone else–the Authors Guild should not be permitted to assert control because neither the Copyright Act not prudential rules of standing developed by the courts allow it. Furthermore, the sharp divergence in the interests of academic authors and the Guild and its members in terms of fair use and the merits of the case is an additional reason why the court should limit the Guild’s standing to the copyrights it actually holds.
On June 4, 2013 Jason Schultz of the Berkeley team, along with Matthew Sag and Matthew Jockers, filed an amicus brief on behalf of over 100 digital humanities and law scholars in the appeal of Authors Guild v. HathiTrust before the Second Circuit Court of Appeals. The brief argues that non-expressive uses of copyrighted materials–for example, text mining applications in the developing field of the digital humanities–are not infringing and that copying to enable those uses should be considered fair use.
On April 25, 2013, Members of the Berkeley team, along with law professors Peter Jaszi and Rebecca Tushnet, filed an amicus brief on behalf of over 100 academic authors and law scholars in the appeal of Cambridge University Press v. Becker before the Eleventh Circuit Court of Appeals. The brief argues that Georgia State University’s use of excerpts of copyrighted works on course electronic reserve systems are fair use.
Berkeley Digital Library Copyright Project Reply Comments in Response to the U.S. Copyright Office Notice of Inquiry on Orphan Works and Mass Digitization (March 6, 2013) [with appendix] [click here for version without appendix]
On March 6, 2013 the Berkeley team submitted reply comments in response to the Copyright Office Notice of Inquiry regarding orphan works and mass digitization. The reply’s main contribution is on the “diligent search” concept, with the submission of two recent team white papers which set forth information about various approaches that orphan works proposals have taken regarding (a) who must conduct a diligent search, and (b) how diligent searches have been defined. In addition, the reply makes recommendations regarding the Office’s overall approach to the orphan works issue, how to give guidance regarding the “reasonably diligent search” standard, whether to take a different approach for some works or types of uses (e.g., mass digitization), and principles to observe in the creation of registries that would help ease the orphan works situation.
- Citation: David R. Hansen, Gwen Hinze, and Jennifer Urban, What Constitutes a Diligent Search Under Present and Proposed Orphan Works Regimes (Berkeley Digital Library Copyright Project, White Paper No. 5, 2013), http://ssrn.com/abstract=2229021.
- Citation: David R. Hansen, Gwen Hinze, and Jennifer Urban, Orphan Works and the Search for Rightsholders: Who Participates in a ‘Diligent Search’ Under Present and Proposed Regimes (Berkeley Digital Library Copyright Project, White Paper No. 4, 2013), http://ssrn.com/abstract=2208163.
Berkeley Digital Library Copyright Project Comments in Response to the U.S. Copyright Office Notice of Inquiry on Orphan Works and Mass Digitization (Feb. 4, 2013) [with appendix] [click here for version without appendix]
- Citation: David R. Hansen, Orphan Works: Causes of the Problem (Berkeley Digital Library Copyright Project, White Paper No. 3, 2012), http://ssrn.com/abstract=2038068.
- Citation: David R. Hansen, Orphan Works: Mapping the Possible Solution Spaces (Berkeley Digital Library Copyright Project, White Paper No. 2, 2012), http://ssrn.com/abstract=2019121.
- Citation: Letter from Pamela Samuelson to Judge Denny Chin, Re: Academic Author Objections to Plaintiff’s Motion for Class Certification, The Authors Guild, Inc., et al. v. Google Inc., Case No. 05 CV 8136 (DC) (February 13, 2012), https://www.law.berkeley.edu/files/Academic_authors_letter_to_Judge_Chin_021312_final.pdf.
- Citation: David R. Hansen, Comments Submitted in Response to the Office of Science and Technology Policy’s Requests for Information Regarding Public Access to Peer Reviewed Scholarly Publications from Federally Funded Scientific Research, 76 Fed. Reg. 68518 (Nov 4, 2011), submitted December 29, 2011,https://www.law.berkeley.edu/files/OSTP_Comments.pdf.
- Citation: David R. Hansen, Orphan Works: Definitional Issues (Berkeley Digital Library Copyright Project, White Paper No. 1, 2011), http://ssrn.com/abstract=1974614.