In “Artificial Code,” BYU Law Professor Clark D. Asay argues that while AI copyright battles rage in music, journalism, and visual art, the software industry has stayed on the sidelines. The reason? Much AI-generated code may not qualify for copyright protection under current U.S. law — a gap with major implications for the industry.
Artificial Code
Canvas, Issue 24
This month, Canvas is packed with stories at the cutting edge of art, law, and the future of creativity—AI copyright wars, fractional art ownership, and Supreme Court decisions.
Clinic Director of Policy Initiatives Jennifer M. Urban writes about the role of state privacy law in data governance.
Clinic Director Catherine Crump comments on issues surrounding Fourth Amendment challenges to ICE’s use of surveillance technology
Top Law Schools for International Law
The GRIL Clinic was featured for its innovative interdisciplinary approach, helping secure Berkeley Law’s top-tier A+ rating from The National Jurist.
Clinic Director Catherine Crump argues that banning kids from social media is bad policy and likely unconstitutional.
PAC’s Arizona Client Introduces Bill to End Criminal Court Fees
Arizona Capitol Times (01/25/2026)
Berkeley Art, Law, and Finance Project: Justice Unearthed—Tim Carpenter on The Grave Robber
Join us for a conversation with Tim Carpenter, former FBI Lead Investigator on the Art Crime Team and author of The Grave Robber, joined by Sharon Cohen Levin, partner at Sullivan & Cromwell, moderated by Delia Violante […]
2026 Berkeley Art, Law, and Finance Symposium at SFMOMA
Who owns culture? Who creates it? And who decides? Join us for a day of critical conversation about who holds, who makes, and who governs art.