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March 26, 2026 By Delia Violante, Founding Director of the Berkeley Art, Law, and Finance Project |
February 27, 2026 Novel Governing Documents for Fractional Art Investments By Joanna Ong, J.D. Berkeley Law ’25 |
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February 23, 2026 By Pedro Andrés Videla Hermansen, LL.M., Berkeley Law ’25; Head of Data Privacy & Emerging Technologies at Johansson & Langlois |
February 12, 2026 How a Mother’s Wardrobe Became a Museum and a Living Archive of Mexico’s Traditional Textiles By Paris Quetzal Sistilli, Graduate of the Columbia University and Sciences Po Paris Dual BA |
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January 26, 2026 What Happens When $83 Trillion Changes Hands—and Nobody Wants the Art? By Delia Violante, Founding Director of the Berkeley Art, Law, and Finance Project |
December 22, 2025 Should Artwork Have Legal Rights? By Delia Violante, Founding Director of the Berkeley Art, Law, and Finance Project |
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November 9, 2025 A New Chapter? The Hudson’s Bay Company and Cultural Patrimony in Bankruptcy Auctions By Robin Willscheidt, Senior Fellow at the Berkeley Art, Law, and Finance Project |
November 1, 2025 In a War-Torn Sudan, One Man Fights to Preserve the Nation’s Cultural Heritage By Paris Quetzal Sistilli, Graduate of the Columbia University and Sciences Po Paris Dual BA |
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October 15, 2025 Berkeley Art, Law, and Finance Project Hosts Discussion on Trademark Parody After Jack Daniel’s By Delia Violante, Founding Director of the Berkeley Art, Law, and Finance Project |
October 10, 2025 Giorgio Armani’s Fashion Heritage and Cultural Heritage Preservation By Felicia Caponigri, Legal Scholar and Academic at Marquette University Law School |
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September 24, 2025 The Promises and Perils of Virtual Repatriation By Giulia Picci, Senior Fellow at Berkeley Art, Law, and Finance Project |
September 3, 2025 Through the Lens of Justice: Tina Modotti’s Revolutionary Vision By Delia Violante, Founding Director of the Berkeley Art, Law, and Finance Project |
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August 29, 2025 Collective Memory and Memory Laws By Paris Quetzal Sistilli, Graduate of the Columbia University and Sciences Po Paris Dual BA |
July 22, 2025 From Berkeley to Lucca: Why Art Needs More Than Just Artists By Delia Violante, Founding Director of the Berkeley Art, Law, and Finance Project |
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May 25, 2025 Nailing Down the Federal Arts Framework: How It’s Hanging By Robin Willscheidt, Senior Fellow at Berkeley Art, Law, and Finance Project |
May 22, 2025 2025 Berkeley Art, Law, and Finance Symposium at SFMOMA Recap By Berkeley Art, Law, and Finance Staff |
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May 22, 2025 A Changing Landscape in the Return of Cultural Property: Is a New Customary Rule in the Making? By Giulia Picci, Senior Fellow at Berkeley Art, Law, and Finance Project |
March 16, 2025 Meet the Art, Law, and Finance Project: Where Creativity Meets Commerce By Delia Violante, Founding Director of the Berkeley Art, Law, and Finance Project |
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May 16, 2024 2024 Berkeley Art, Law, and Finance Symposium at SFMOMA Recap By Berkeley Art, Law, and Finance Staff |
February 14, 2024 By Eleanor Iris Gartstein, JD Candidate, UC Berkeley Law |
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August 22, 2023 Court Says No Human Author, No Copyright By Heather Whitney, Product Counsel at OpenAI
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December 26, 2022 US and EU Regulation on Fractionalized NFTs – Navigating Unchartered Waters By Antonia Von Appen, Lawyer in Digital Law, AI and Blockchain Technology |