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<title>Law and Tech Research feed - Copyright</title>
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<link>http://law.berkeley.edu</link>
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<pubDate> 09:00:00 -0400</pubDate>


<item>
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    <title>What Constitutes a Diligent Search Under Present and Proposed Orphan Work Regimes?</title>
    <description><![CDATA[
        Numerous
        legal regimes or proposals have been devised to address the problem of
        whether or under what circumstances in-copyright works can be made
        available if the works are “orphans,” because their rights holders are
        unknown or cannot be found. A common feature is a requirement that a
        prospective user make a diligent search for the rights holder. This
        White Paper complements an earlier one on orphan work searches which
        considered who would be expected to conduct a search. The present White
        Paper focuses instead on different conceptions about what a diligent
        search might consist of. It does not offer a normative assessment of
        what “diligent search” should mean. Rather, it intends to provide
        information about various approaches to this concept to aid in reasoned
        conversations about this concept.  
    ]]></description>
    <link>http://www.law.berkeley.edu/15031.htm</link>
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    <pubDate>Tue, 05 Mar 2013 09:00:00 -0400</pubDate>
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<item>
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    <title>A Fresh Look at Tests for Nonliteral Copyright Infringement </title>
    <description><![CDATA[
        <span>A
        central puzzle for U.S. copyright law in the 20th and 21st centuries has
        been how to test for infringement of the exclusive right this law gives
        authors to control the reproduction of their works in copies. No
        subtlety of analysis is required when a work is copied word-for-word,
        line-for-line, or note-for-note or when second comers have made "merely
        colorable and fraudulent variations." But as Professor Kaplan once
        observed, "[w]e are in a viscid quandary once we admit that "expression"
        can consist of anything not close aboard the particular collocation in
        its sequential order." <br />
        <br />
        This Article offers several strategies
        for refining infringement analysis so that it becomes less viscid in
        cases alleging what the Nimmer treatise describes as "nonliteral"
        similarities between two works. Nonliteral infringement may arise, for
        instance, when a second comer appropriates detailed plot sequences from
        another author's drama but uses different dialogue.<br />
        <br />
        Part I
        discusses the five most frequently utilized tests for infringement of
        the reproduction right in nonliteral similarity cases. It explains how
        these tests are similar and different and why each test is flawed in one
        or more respects. Apart from these flaws, it is problematic that there
        are so many different tests and so little guidance about which test to
        use when.<br />
        <br />
        Part II recommends, among other things, that courts
        tailor infringement tests based on characteristics of the works at
        issue. The more artistic or fanciful a work is, for example, the more
        appropriate it is to focus infringement analysis primarily on
        similarities in the aesthetic appeal of the two works rather than on a
        dissective analysis of similarities and differences. The more factual or
        functional a works is, by contrast, the "thinner" is said to be its
        scope of protection, which suggests that infringement analysis should be
        more dissective in relation to similarities and differences of these
        works and less emphasis should be placed on impressions. Courts should
        also give more guidance about what constitutes protectable expression in
        copyright works and what aspects, besides abstract ideas, are
        unprotectable by copyright.  </span>
    ]]></description>
    <link>http://www.law.berkeley.edu/15029.htm</link>
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    <pubDate>Fri, 01 Feb 2013 09:00:00 -0400</pubDate>
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<item>
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    <title>Amicus Brief of Law Scholars in Fox v. Dish, No. 12-57048 (9th Cir)</title>
    <description><![CDATA[
        &nbsp;<span>The
        outcome of this case will affect the future of private non-commercial
        time-shifting of television programs – a fair use right expressly
        recognized by the Supreme Court almost three decades ago in Sony Corp.
        of America v. University City Studios, Inc., 464 U.S. 417 (1984). The
        advance of technology from the videotape recorder (“VTR”), to the
        videocassette recorder (“VCR”) considered in Sony, to today’s digital
        video recorder (“DVR”) has not – nor should it – affect that right.<br />
        <br />
        Under
        Sony, using the Hopper (Dish’s DVR) and PrimeTime Anytime (“PTAT”) is
        as much a fair use as the original Betamax technology. Both enable
        private non-commercial time-shifting of legally acquired television
        programs, and Fox’s attempt to overrule Sony by claiming it has licensed
        time-shifted programming to internet websites such as Hulu and iTunes
        should be to no avail, as fair use markets cannot be reclaimed from the
        public through subsequent licensing practices. To allow this would be to
        take settled fair uses and turn them into infringements over time at
        the copyrights holder’s discretion.<br />
        <br />
        Fox continues its attack on
        fair use by seeking to stop Dish’s creation of quality assurance (“QA”)
        copies of Fox’s programs, which Dish then uses to access unprotectable
        facts about the programs – the start and stop times of show segments –
        and to use those facts to ensure that AutoHop, its commercial skipping
        program, responds appropriately. Use of such intermediate copies in
        order to access non-protected information has long been held to be fair.
        Fox attempts to distinguish these precedents by arguing that such
        copying is somehow not “transformative” of a message or meaning within
        the television program itself; but such transformation is not required
        for the purposes of understanding works or extracting unprotectable
        facts</span>
    ]]></description>
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    <pubDate>Thu, 24 Jan 2013 09:00:00 -0400</pubDate>
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    <title>Brief of Amici Curiae Academic Authors in Support of Defendant-Appellant and Reversal</title>
    <description><![CDATA[
        <span>Filed in the Second Circuit Court of Appeals in Support of Defendant-Appellant Google.<br />
        <br />
        Summary
        of argument: Class certification was improperly granted below because
        the District Court failed to conduct a rigorous analysis of the adequacy
        of representation factor, as Rule 23(a)(4) requires. The three
        individual plaintiffs who claim to be class representatives are not
        academics and do not share the commitment to broad access to knowledge
        that predominates among academics. Although the District Court, in
        rejecting the proposed Google Books settlement last year, recognized
        that the class representatives and their lawyers had not adequately
        represented the interests of academic authors when negotiating the
        proposed settlement, the court brushed aside concerns about adequacy of
        representation when the case went back into litigation, despite an
        academic author submission that challenged class certification because
        of inadequacies in the plaintiffs’ representation of academic author
        interests. These concerns should have been taken seriously because
        academic authors make up a substantial proportion of the class that the
        District Court certified; most of the books that Google scanned from
        major research library collections were written by academics. Academic
        authors overall greatly outnumber generalist authors such as the named
        plaintiffs.<br />
        <br />
        Academic authors desire broad public access to their
        works such as that which the Google Books project provides. Although the
        District Court held that the plaintiffs had inadequately represented
        the interests of academic authors in relation to the proposed
        settlement, it failed to recognize that pursuit of this litigation would
        be even more adverse to the interests of academic authors than the
        proposed settlement was. That settlement would at least have expanded
        public access to knowledge, whereas this litigation seeks to enjoin the
        Google Book Search operations and shut down access to works of class
        members even though academic authors would generally favor greater
        public access to their works. Because of this, the interests of academic
        authors cannot be adequately accommodated in this litigation by opting
        out of the class, as the District Court assumed. Indeed, the only way
        for the interests of academic authors to be vindicated in this
        litigation, given the positions that the plaintiffs have taken thus far,
        is for Google to prevail on its fair use defense and for the named
        plaintiffs to lose. <br />
        <br />
        For this reason, there is a fundamental
        conflict between the interests of the named class representatives and
        the interests of academic authors. Academic authors typically benefit
        from Google Books, both because it makes their books more accessible to
        the public than ever before and because they use Google Books in
        conducting their own research. Google’s fair use defense is more
        persuasive to academic authors than the plaintiffs’ theory of
        infringement. The plaintiffs’ request for an injunction to stop Google
        from making the Book Search corpus available would be harmful to
        academic author interests.<br />
        <br />
        In short, a “win” in this case for the
        class representatives would be a “loss” for academic authors. It is
        precisely this kind of conflict that courts have long recognized should
        prevent class certification due to inadequate representation. The
        District Court failed to adequately address this fundamental conflict in
        its certification order, though it was well aware of the conflict
        through submissions and objections received from the settlement fairness
        hearing through to the hearings on the most recent class certification
        motions. Because of that failure, the order certifying the class should
        be reversed.  </span>
    ]]></description>
    <link>http://www.law.berkeley.edu/15030.htm</link>
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    <pubDate>Fri, 16 Nov 2012 09:00:00 -0400</pubDate>
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    <title>Oracle v. Google: Are APIs Copyrightable?</title>
    <description><![CDATA[
        Are application program interfaces (APIs) of computer programs protectable by copyrights in software that embodies them? Oracle v. Google is the most definitive ruling yet that addresses this question. The judge rejected Oracle's claim of copyright and his ruling suggests that APIs are uncopyrightable more generally. Oracle will appeal, but Judge William Alsup of the U.S. District Court of Northern California did a very careful job in analyzing the issues. I predict affirmance. 
    ]]></description>
    <link>http://www.law.berkeley.edu/14568.htm</link>
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    <pubDate>Mon, 05 Nov 2012 09:00:00 -0400</pubDate>
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    <title>How Fair Use Can Help Solve the Orphan Works Problem</title>
    <description><![CDATA[
        Many works that libraries, archives, and historical societies, among others, would like to digitize and make available online are "orphan works," that is, works for which the copyright holder either is unknown or cannot be located after a diligent search. Encountering orphan works can be stymieing because the lack of an owner means that there is no way to obtain permission to use them. While Congress nearly passed legislation to deal with the orphan works problem in 2008, its ultimate failure to enact this bill has left those who possess orphan works in limbo. Because of the risk of high statutory damages if an owner later shows up, nonprofit libraries and similar institutions have been reluctant to digitize these works and offer them to the public. The orphan status of these works thus creates a barrier to access to important cultural and historical information despite recent improvements in digitization technologies that could bring these works out of obscurity and make them much more widely useful. As such, there is international consensus that the “orphan works problem” must be addressed.<br />
        <br />
        This Article argues that legislation is not necessary to enable some uses of orphan works by nonprofit libraries and archives. Instead, the fair use doctrine in United States copyright law provides a partial solution. The Article addresses three basic questions: first, does fair use provide a viable basis on which libraries might digitize orphans? Second, does fair use provide a viable basis on which to make these orphans available to patrons or the public? Third, more generally, can or should fair use do any additional work in infringement analysis where the copyrighted work in question is an orphan? <br />
        <br />
        The answer to each of these questions is yes. Nonprofit libraries and archives should be able to rely on fair use in order to digitize orphan works in their collections and to make those works available. In addition, the orphan status of works has special relevance to the fair use analysis. First, the oft-ignored second factor that courts consider in fair use cases (the "nature" of the work) should be given much greater weight in orphan works cases than it is traditionally given. Inquiring into a work’s “orphan” nature, and into other specific attributes of the work, gives useful guidance as to whether incentives to create would be harmed by digitizing the work and making it accessible. Second, the fourth fair use factor (harm to the copyright holder's market) clearly favors the use of orphan works, as there is no market exploitation of the work, and as one party to the putative transaction is simply missing, representing a complete market failure. Finally, regardless of a work’s orphan status, many uses by libraries and archives will fit squarely under the umbrella of uses favored by the first fair use factor (the "purpose of the use"), and their digitization of entire works for preservation and access should often be justified under the third fair use factor (the amount used). As such, fair use represents an important, and for too long unsung, part of the solution to the orphan works problem. 
    ]]></description>
    <link>http://www.law.berkeley.edu/14574.htm</link>
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    <pubDate>Mon, 18 Jun 2012 09:00:00 -0400</pubDate>
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    <title>The Cost of Price: Why and How to Get Beyond Intellectual Property Internalism</title>
    <description><![CDATA[
        The field of intellectual property (IP) law today is focused, as the name itself advertises, on one particular institutional approach to scientific and cultural production: IP. When legal scholars explain this focus, they typically do so with reference to the virtues of price. Because price gives us a decentralized way to link social welfare to the production of information, IP is alleged to be more efficient than other approaches. The dominant mode of IP scholarship begins here and then addresses questions internal to IP law — for example, how broad or narrow should exceptions to IP rights be? But the internalism that characterizes the field of IP cannot, as I show, be justified by the value of efficiency. Economics offers us no a priori reason to assume that IP is more efficient than other possible approaches, most prominently government procurement and commons-based production. If we take the invitation that economists offer us to think external to IP, we also gain new insights about the implications of values other than efficiency for the choice between different institutional approaches to scientific and cultural production.<br />
        <br />
        We see, as I argue, that using price to guide scientific and cultural production — which is to say, using IP — may have costs not only for efficiency, but also for distributive justice and informational privacy. The IP approach is in tension with the value of distributive justice because reliance upon price may yield not only unjust distribution of existing information resources but also unjust production of future information resources. The IP approach is in tension with the value of information privacy because relying on price to generate information facilitates the desire, the demand, and perhaps the capacity for price discrimination. That, in turn, generates an impulse for the extensive collection of personal information. Both government procurement and commons-based production plausibly offer more promise than does IP in both distributive justice and privacy terms, and they may be no less efficient than IP. Giving full scope to all three of these values thus requires us to telescope out from the internalism that characterizes the field, and to countenance a broader role for commons-based production and government procurement. In the field of IP, I conclude, we should pay less attention to IP and more to the alternatives. 
    ]]></description>
    <link>http://www.law.berkeley.edu/14562.htm</link>
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    <pubDate>Fri, 11 May 2012 09:00:00 -0400</pubDate>
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    <title>Design for Symbiosis: Promoting More Harmonious Paths for Technological Innovators and Expressive Creators in the Internet Age </title>
    <description><![CDATA[Drawing upon historical patterns and the symbiotic relationship between distribution platforms and creative expression, this commentary examines the problems currently dividing the technology and content sectors over Internet copyright enforcement. It highlights two key factors causing the dysfunction -- the vertical fragmentation of distribution platforms in the Internet Age and the limited capacity for legislation to keep pace with technological change. The commentary suggests that cross-industry collaboration, such as the recently adopted graduated response Memorandum of Understanding between ISPs and content industries as well as the Principles for User Generated Content Services, offers a promising alternative pathway for surmounting the current enforcement challenges and forging sustainable institutions for addressing future problems. ]]></description>
    <link>http://www.law.berkeley.edu/12765.htm</link>
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    <pubDate>Tue, 31 Jan 2012 09:00:00 -0400</pubDate>
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    <title>Does Copyright Protection Under the EU Software Directive Extend to Computer Program Behaviour, Languages and Interfaces? </title>
    <description><![CDATA[This article argues that competition and innovation in the software industry in the EU will be seriously undermined if the Court of Justice of the European Union in SAS Institute, Inc. v. World Programming Ltd. holds that copyright protection for computer programs extends to the functional behaviour of computer programs, to programming languages, and to data formats and data interfaces essential for achieving interoperability. This article explains why the text and legislative history of the EU Software Directive, in line with international treaty provisions, should be understood as providing protection for the literary aspects of programs, but not to functionality, languages, and data interfaces. Copyright has an important, but limited, role to play in protecting program innovations, especially in view of the increased availability of patents for functional aspects of software. ]]></description>
    <link>http://www.law.berkeley.edu/12769.htm</link>
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    <pubDate>Mon, 12 Dec 2011 09:00:00 -0400</pubDate>
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    <title>Infringement Conflation</title>
    <description><![CDATA[
        Following the most tumultuous decade in copyright history, Professor John Tehranian’s recent book – Infringement Nation: Copyright 2.0 and You – promises a broad-ranging account of the complexities of copyright infringement in the Internet Age. There can be little doubt that copyright infringement has exploded since Napster ushered in Web 2.0 a little more than a decade ago. On the positive side of the ledger, millions of ordinary netizens create, distribute, and share countless new and original user-generated works on a daily basis. There is also little doubt, however, that a massive volume of clearly infringing user-uploaded professional content courses through the Internet. <br />
        <br />
        This essay critically analyzes Professor Tehranian’s selective account of the “infringement nation.” While jammed with historical tidbits, intriguing anecdotes, and illustrations of over-enforcement by copyright owners, Infringement Nation barely mentions the effects of unauthorized distribution of copyrighted works on composers, recording artists, film producers, screenwriters, novelists, or journalists. What little Infringement Nation has to say about Internet piracy centers on the risk of crushing liability that copyright law imposes on file-sharers. This distorted infringement “census” leads to misdirected policy recommendations.<br />
        <br />
        After exposing the limitations of Infringement Nation’s lens, this essay fills in important missing regions from the census – the professional content industries that have been struggling to deal with rampant unauthorized distribution of their works. With this fuller picture of the infringement landscape in mind, the essay closes by exploring the challenge of channeling consumers back into the content marketplace. 
    ]]></description>
    <link>http://www.law.berkeley.edu/12074.htm</link>
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    <pubDate>Thu, 27 Oct 2011 09:00:00 -0400</pubDate>
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    <title>An Epitaph for Traditional Copyright Protection of Network Features of Computer Software</title>
    <description><![CDATA[
        This article describes the evolution of copyright protection for computer software. It shows how the courts successfully deployed and adapted copyright doctrines in a manner that protected software against piracy while at the same time allowing for competition and innovation. 
    ]]></description>
    <link>http://www.law.berkeley.edu/12078.htm</link>
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    <pubDate>Sun, 16 Oct 2011 09:00:00 -0400</pubDate>
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    <title>The Challenges of Reforming Intellectual Property Protection for Computer Software</title>
    <description><![CDATA[
        This article examines three critical, interrelated challenges for reforming legal protection for computer software: (1) analyzing the market failures that might justify government intervention to define (or alter) the legal entitlements granted for software innovations; (2) predicting the likely path of computer technology; and (3) anticipating and navigating potential impediments to legislative reform of legal protection for software. It warns that patent protection for computer software poses serious potential problems and should be addressed before powerful economic interests vest in large software patent portfolios. 
    ]]></description>
    <link>http://www.law.berkeley.edu/12076.htm</link>
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    <pubDate>Sun, 16 Oct 2011 09:00:00 -0400</pubDate>
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    <title>An Analysis of the Scope of Copyright Protection for Application Programs</title>
    <description><![CDATA[
        The article describes how the first courts to address the scope of copyright protection for application programs have tended to view application programming as predominantly an exercise in creative expression and accordingly have interpreted the scope of copyright protection in this area quite broadly. As Part I explains, however, many design choices in writing application programs are made by applying the principles of the scientific fields of human factor analysis and software engineering. Thus, the tendency of courts to view application programming as more akin to literary creativity than to scientific and engineering advancement threatens to give broad legal protection to basic principles of human factor analysis and software engineering without requiring the creators of the programs embodying those principles to satisfy the more exacting standards of patent law. The article concludes that a careful application of the idea/expression merger doctrine, recognizing the importance of scientific considerations in application programming and the need to standardize computer-human interfaces, would both foster the invention, development, and diffusion of improved application programs and comport with basic copyright principles. 
    ]]></description>
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    <pubDate>Sun, 16 Oct 2011 09:00:00 -0400</pubDate>
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    <title>Tailoring Legal Protection for Computer Software</title>
    <description><![CDATA[
        This article applies economic analysis to the design of legal protection for computer software. 
    ]]></description>
    <link>http://www.law.berkeley.edu/12075.htm</link>
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    <pubDate>Sun, 16 Oct 2011 09:00:00 -0400</pubDate>
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    <title>Copyright Exhaustion and the Personal Use Dilemma</title>
    <description><![CDATA[
        Copyright law struggles to provide a coherent framework for analyzing personal uses. Although there is widespread agreement that at least some such uses are non-infringing, the doctrinal basis for that conclusion remains unclear. In particular, the prevailing explanations of fair use and implied license are both flawed in important respects.<br />
        <br />
        This Article proposes a new explanation for the favored status of certain personal uses. Drawing on the principle of copyright exhaustion - the notion that once the copyright holder parts with a particular copy of a work, its power to control the use and disposition of that copy is constrained - we argue that many personal uses are rendered lawful by virtue of the simple fact of copy ownership. Owning copies entitles consumers to make certain uses of those copies and the works embodied in them, even in ways that may appear inconsistent with the rights of copyright holders. Under exhaustion, any copy owner has the right to reproduce, modify, and distribute her copy in order to fully realize its value qua copy. <br />
        <br />
        In a variety of personal use cases, courts have been swayed by arguments that highlight the defendant’s purchase or rightful ownership of a copy. But the prevailing approaches to personal use take copy ownership into account inconsistently and awkwardly, forcing courts to shoehorn their intuitions about ownership into doctrines designed to address very different questions. In contrast, exhaustion places copy ownership at the center of the digital personal use debate. And it helps us reconcile our intuitions about the proper scope of consumer control over copies they own with our formal legal articulations of the scope of infringement liability. 
    ]]></description>
    <link>http://www.law.berkeley.edu/12079.htm</link>
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    <pubDate>Sat, 10 Sep 2011 09:00:00 -0400</pubDate>
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    <title>The Uneasy Case for Software Copyrights Revisited </title>
    <description><![CDATA[
        Forty years ago, Justice Stephen Breyer expressed serious doubts about the economic soundness of extending copyright protection to computer programs in his seminal article, "The Uneasy Case for Copyright." This article revisits "The Uneasy Case" to consider whether Breyer's skepticism about copyright for computer programs was warranted at the time, as well as whether the case for copyrighting computer programs has become easier over time. 
    ]]></description>
    <link>http://www.law.berkeley.edu/14567.htm</link>
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    <pubDate>Wed, 07 Sep 2011 09:00:00 -0400</pubDate>
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    <title>The Mixed Heritage of Federal Intellectual Property Law and Ramifications for Statutory Interpretation</title>
    <description><![CDATA[
        This article explores the unique and complex mix of statutory provisions and common law jurisprudence that characterizes federal intellectual property law. Patent and copyright law trace their roots back to terse 1790 enactments on which the judiciary embroidered critical requirements and limitations. In line with common law traditions and less formal division between legislative and judicial roles in the early republic, courts established many critical doctrines and frameworks, including patentable subject matter limitations, patent’s inventiveness (non-obviousness) standard, patent and copyright infringement and indirect infringement doctrines, patent’s experimental use, and copyright’s fair use, among other important doctrines. The rapidity and unpredictability of technological change have continually buffeted courts with new challenges. Jurists have drawn upon their common law background, tort law and equitable principles, and pragmatism to evolve the patent and copyright systems. This response system in conjunction with Congress’s institutional impediments to responding quickly to technological change has enhanced the judiciary’s substantive imprint on federal intellectual property law. It has enhanced intellectual property law’s sensitivity to the inherent heterogeneity of creative activity and improved its responsiveness to technological change. Congress has perpetuated these evolutionary processes – both expressly and implicitly – throughout U.S. history. Hence, courts should be especially careful to trace the provenance of copyright and patent provisions and doctrines to determine the proper lens for interpreting and evolving these laws. 
    ]]></description>
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    <pubDate>Wed, 27 Jul 2011 09:00:00 -0400</pubDate>
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    <title>The Copyright Principles Project: Directions for Reform</title>
    <description><![CDATA[
        Copyright law is under considerable stress these days, particularly due to technological advances and the growth of global networks. In recognition of these stresses, the Copyright Principles Project (CPP) was formed to consider whether and what possible improvements could be made to existing U.S. copyright law. Participants brought to the project a range of expertise and experience developed in academia, the copyright industry, and law firms. Over the course of three years and in the spirit of dialogue and good will, the CPP group engaged in vigorous debate and deliberation, mapping the terrain of U.S. copyright law and policy and identifying key issues for consideration. Project findings are presented in this report.<br />
        <br />
        The report first articulates principles of a well-functioning copyright law, then analyzes respects in which existing copyright law does or does not comport with these principles. The report then explores twenty-five possible reforms to U.S. copyright law that would bring it into greater conformity with the principles. Among the recommendations: reinvigorate copyright registration; modernize the Copyright Office; limit orphan works liability; and develop reasonable and consistent statutory guidelines for damage awards. Some of the changes can be brought about only by legislative action, while others can be accomplished through common law evolution.<br />
        <br />
        While there is no one “silver bullet” that can relieve all the difficulties, maintain or renew public confidence in copyright, and bring calm to copyright industries, it is hoped that the CPP report will spur further discussion and movement, grounded in principle, to adapt the law and achieve a fair balance of interests among all stakeholders in the copyright sphere. 
    ]]></description>
    <link>http://www.law.berkeley.edu/11202.htm</link>
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    <pubDate>Fri, 27 May 2011 09:00:00 -0400</pubDate>
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    <title>Legislative Alternatives to the Google Book Settlement</title>
    <description><![CDATA[
        In the aftermath of Judge Chin's rejection of the proposed Google Book settlement, it is time to consider legislative alternatives. This article explores a number of component parts of a legislative package that might accomplish many of the good things that the proposed settlement promised without the downsides that would have attended judicial approval of it. It gives particular attention to the idea of an extended collective licensing regime as a way to make out-of-print but in-copyright books more widely available to the public. But it also considers several other measures, such as one aimed at allowing orphan works to be made available and some new privileges that would allow digitization for preservation purposes and nonconsumptive research uses of a digital library of books from the collections of major research libraries. 
    ]]></description>
    <link>http://www.law.berkeley.edu/11201.htm</link>
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    <pubDate>Mon, 25 Apr 2011 09:00:00 -0400</pubDate>
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    <title>Access to Knowledge: A Conceptual Genealogy</title>
    <description><![CDATA[
        This is an introduction to an edited volume, Access to Knowledge in the Age of Intellectual Property (Zone Press, 2010. It's aim is to describe and analyze the conceptual stakes of the new mobilization around A2K. A2K groups contest the terrain of intellectual property law (for example, around issues of access to medicines, free software, farmers' rights to seeds, and free culture) - but what do they have in common? The chapter elaborates on concepts that A2K thinkers use - such as the commons, openness, and access - to challenge the conventional justification for strong intellectual property law. It closes by posing a series of theoretical questions for the movement, like, what is the nature of the freedom that A2K demands? 
    ]]></description>
    <link>http://www.law.berkeley.edu/11600.htm</link>
    <guid isPermaLink="true">http://www.law.berkeley.edu/11600.htm</guid>
    <pubDate>Sat, 05 Feb 2011 09:00:00 -0400</pubDate>
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    <title>In Search of Copyright’s Lost Ark: Interpreting the Right to Distribute in the Internet Age </title>
    <description><![CDATA[Prior to the emergence of peer-to-peer technology, the Copyright Act’s distribution right was largely dormant. Most enforcement actions were premised upon violations of the reproduction right. The relatively few cases invoking the distribution right involved arcane scenarios. During the past several years, direct enforcement of the Copyright Act against file sharers has brought the scope of the distribution right to center stage. Whereas the 1909 Act expressly protected the rights to “publish” and “vend,” the 1976 Act speaks of a right to “distribute.” Interpreting “distribute” narrowly, some courts have held that copyright owners must prove that a sound recording placed in a peer-to-peer share folder was actually downloaded to establish violation of the distribution right. Other courts hold that merely making a sound recording available violates the distribution right. The ramifications for copyright enforcement in the Internet age are substantial. Under the narrow interpretation, the relative anonymity of peer-to-peer transmissions in combination with privacy concerns make enforcement costly and difficult. A broad interpretation exposes millions of peer-to-peer users to potentially crushing statutory damages.
<P>Drawing upon the historical development of copyright law and the legislative history of the Copyright Act of 1976, this article explains why Congress selected the term “distribute” in its last omnibus revision of copyright law, shows unequivocally that Congress intended to encompass broadly the 1909 Act rights to “publish” and “vend” within the right to distribute, and rejects the position that Congress required proof of “actual distribution” to prove violation of the distribution right. This critical legislative history has been notably absent from treatise accounts and briefing on the liability standard in the file sharing cases, leaving courts without a compass to navigate this statutory terrain. This article traces the origins of the key legislative terms to elucidate the scope of the distribution right in the Internet age. </P>]]></description>
    <link>http://www.law.berkeley.edu/9913.htm</link>
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    <pubDate>Tue, 14 Dec 2010 09:00:00 -0400</pubDate>
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    <title>Demystifying Fair Use: the Gift of the Center for Social Media Statements of Best Practices</title>
    <description><![CDATA[The fair use doctrine is famous for its uncertainty. As lawyers who counsel clients making fair use of copyrighted materials, we have experienced the frustration caused by fair use’s unpredictability on many occasions. In this Essay we discuss a more positive piece of the story: the development of Statements of Best Practices in Fair Use for various user communities. The Best Practices, pioneered by Peter Jaszi and Patricia Aufderheide, have helped demystify fair use for specific user groups without unduly limiting the flexibility that gives the fair use doctrine its strength, and have helped lawyers and gatekeepers understand important user norms. ]]></description>
    <link>http://www.law.berkeley.edu/12881.htm</link>
    <guid isPermaLink="true">http://www.law.berkeley.edu/12881.htm</guid>
    <pubDate>Mon, 25 Oct 2010 09:00:00 -0400</pubDate>
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    <title>The Google Book Settlement as Copyright Reform </title>
    <description><![CDATA[An intriguing way to view the proposed settlement of the copyright litigation over the Google Book Search (GBS) Project is as a mechanism through which to achieve copyright reform that Congress has not yet and may never be willing to do. The settlement would, in effect, give Google a compulsory license to commercialize millions of out-of-print books, including those that are “orphans” (that is, books whose rights holders cannot readily be located), establish a revenue-sharing arrangement as to these books, authorize the creation of an institutional subscription database that would be licensed to libraries and other entities, resolve disputes between authors and publishers over who owns copyrights in electronic versions of their books, provide a safe harbor for Google for any mistakes it might make in good faith as to whether books are in the public domain or in-copyright, and immunize libraries from secondary liability for providing books to Google for GBS, among other things.
<P>This Article explains why certain features of U.S. law, particularly copyright law, may have contributed to Google’s willingness to undertake the GBS project in the first place and later to its motivation to settle the Authors Guild lawsuit. It then demonstrates that the proposed settlement would indeed achieve a measure of copyright reform that Congress would find difficult to accomplish. Some of this reform may be in the public interest. It also considers whether the quasi-legislative nature of the GBS settlement is merely an interesting side effect of the agreement or an additional reason in favor or against approval of this settlement. </P>]]></description>
    <link>http://www.law.berkeley.edu/10039.htm</link>
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    <pubDate>Tue, 28 Sep 2010 09:00:00 -0400</pubDate>
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    <title>Sound Recordings, Works for Hire, and the Termination-of-Transfers Time Bomb </title>
    <description><![CDATA[In crafting the Copyright Act of 1976, Congress brokered a grand compromise between authors and publishers so as to bring about a unitary term of protection. Authors obtained an inalienable right to terminate transfers 35 years after an assignment, subject to designated carve outs for nine categories of collaborative works that could become unmarketable following termination due to the transaction costs of reassembling the necessary rights. While motion pictures and encyclopedias made the list, sound recordings were not expressly covered - although they arguably fit into other designated categories. This Article traces the background to this dispute, which will likely take on great salience in 2013, when the first post-1976 works become eligible for termination. ]]></description>
    <link>http://www.law.berkeley.edu/10083.htm</link>
    <guid isPermaLink="true">http://www.law.berkeley.edu/10083.htm</guid>
    <pubDate>Mon, 02 Aug 2010 09:00:00 -0400</pubDate>
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    <title>Governance of Intellectual Resources and Disintegration of Intellectual Property in the Digital Age </title>
    <description><![CDATA[The Supreme Court’s decision in eBay v. MercExchange brought into focus whether intellectual property policy should follow reflexively in the wake of tangible property doctrines or instead look to the distinctive market failures and institutional features of intellectual resources. Professor Richard Epstein argues in a recent article that “virtually all of the current malaise in dealing with both tangible and intellectual property stems from the failure to keep to the coherent rules of acquisition, exclusion, alienation, regulation, and condemnation that are called for by the classical liberal system . . . .” Epstein purports to validate what he calls the “carryover hypothesis”: that principles governing tangible property “do, and should, influence the growth of intellectual property law,” and that apart from durational limits on patents and copyrights, there are essentially no significant departures from the private property mold needed to optimize intellectual property. This article responds to Epstein’s premises, framework, and analysis and provides a broader and richer analytical framework for promoting innovation and creativity in the digital age. In so doing, it demonstrates that intellectual property does not and should not resemble Professor Epstein’s idealized classical liberal cathedral. To the contrary, “disintegration” characterizes the intellectual property landscape and hewing to a classical liberal private property paradigm overlooks valuable prescriptions for the evolution of the intellectual property field. While the institution of private property that has developed for tangible resources provides valuable insights into how to encourage efficient economic development, it is not a panacea for all resources, contexts, and societies. Careful consideration of the characteristics of intellectual resources, comparative institutional analysis, and empirical research provide the keys to promoting innovation and creativity. ]]></description>
    <link>http://www.law.berkeley.edu/10084.htm</link>
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    <pubDate>Sun, 30 May 2010 09:00:00 -0400</pubDate>
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    <title>The Past, Present and Future of Software Copyright Interoperability Rules in the European Union and United States</title>
    <description><![CDATA[
        The protectability (or not) of computer program interfaces, the legality of reverse engineering of program code to extract interface information and the reimplementation of interfaces in complementary or competing programs was deeply controversial in the late 1980s and early 1990s. For the past 20 years, copyright law in both the European Union and United States has been favorably disposed towards treating interfaces necessary to achieving interoperability as unprotectable elements of programs and towards reverse engineering for a legitimate purpose such as discerning interface information. Controversies over interfaces and interoperability have, however, not ceased. The Court of Justice of the European Union is now considering an important cases, SAS Institute, Inc. v. World Programming Ltd., which calls for an interpretation of the Council Directive 91/250 on the legal protection of computer programs concerning the protectability of interfaces designed to enable a competing program to interoperate with existing programs.
    ]]></description>
    <link>http://www.law.berkeley.edu/14565.htm</link>
    <guid isPermaLink="true">http://www.law.berkeley.edu/14565.htm</guid>
    <pubDate>Fri, 02 Apr 2010 09:00:00 -0400</pubDate>
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    <title>Knowledge Accessibility and Preservation Policy for the Digital Age </title>
    <description><![CDATA[Recent advances in digital technology have created the potential to make the vast stock of recorded knowledge searchable using sophisticated tools by anyone with an internet connection. As Google is in the process of demonstrating, it is now feasible to scan the collections of the major libraries of the world within a matter of years, convert these works into an immense searchable digital archive, and enable Internet users to find the most relevant materials easily. The principal impediment to this project, however, appears to be the inherent unpredictability of copyright law's fair use doctrine. Shortly after Google's announcement, leading publishers and authors filed suit alleging that Google's project infringed their copyrights.
<P>The importance of these issues, and the fact that Congress did not foresee the possibilities for a universally accessible, comprehensive archive when it last considered the role of libraries, call for Congress to consider the larger public policy ramifications of digital archiving and search technology. The goals of collecting, preserving, and cataloging human knowledge predate copyright laws. As copyright law developed, it embraced these concerns. Drawing upon this history, this article examines the democratic, cultural, and economic dimensions of developing a comprehensive, searchable database of books and other library materials. It then analyzes the spectrum of institutional alternatives for promoting the goals of preserving and providing access to knowledge while safeguarding copyright law's incentives to create. The article recommends that Congress effectuate these goals through a carefully crafted package of safe harbors, measured liability exposure for technology vulnerable to piracy, and public involvement in the development and management of a searchable digital repository of copyrighted works. For the longer term, the Article recommends that Congress update the deposit requirement to provide for digital deposit of written works and plan for the development of a public comprehensive searchable archive. In the event that legislation is not forthcoming before the Google Book Search Project is litigated, the article shows that copyright law's long-standing access and preservation goals provide an important context for courts applying copyright law's fair use doctrine to digital archiving activities. </P>]]></description>
    <link>http://www.law.berkeley.edu/10334.htm</link>
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    <pubDate>Wed, 27 Jan 2010 09:00:00 -0400</pubDate>
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    <title>Statutory Damages in Copyright Law: A Remedy in Need of Reform </title>
    <description><![CDATA[U.S. copyright law gives successful plaintiffs who promptly registered their works the ability to elect to receive an award of statutory damages, which can be granted in any amount between $750 and $150,000 per infringed work. This provision gives scant guidance about where in that range awards should be made, other than to say that the award should be in amount the court "considers just," and that the upper end of the spectrum, from $30,000 to $150,000 per infringed work, is reserved for awards against "willful" infringers. Courts have largely failed to develop a jurisprudence to guide decision-making about compensatory statutory damage awards in ordinary infringement cases or about strong deterrent or punitive damage awards in willful infringement cases. As a result, awards of statutory damages are frequently arbitrary, inconsistent, unprincipled, and sometimes grossly excessive.<BR>This Article argues that such awards are not only inconsistent with Congressional intent in establishing the statutory damage regime, but also with principles of due process articulated in the Supreme Court's jurisprudence on punitive damage awards. Drawing upon some cases in which statutory damage awards have been consistent with Congressional intent and with the due process jurisprudence, this Article articulates principles upon which a sound jurisprudence for copyright statutory damage awards could be built. Nevertheless, legislative reform of the U.S. statutory damage rules may be desirable. ]]></description>
    <link>http://www.law.berkeley.edu/10400.htm</link>
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    <pubDate>Tue, 12 Jan 2010 09:00:00 -0400</pubDate>
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    <title>Pooh-Poohing Copyright Law’s 'Inalienable' Termination Rights </title>
    <description><![CDATA[From its earliest manifestations, copyright law has struggled to deal with the equitable and efficient division of value and control between creators and the enterprises that distribute their works. And for almost as long as copyright has existed, there has been concern about creators getting the short end of the stick in their dealings with distributors. Since 1909, Congress has sought to protect authors and their families by allowing them to grant their copyrights for exploitation and then, decades later, to recapture those same rights. After judicial interpretation of the 1909 Act frustrated this intent by upholding advance assignments of renewal terms, Congress spoke unambiguously in 1976: “Termination of the grant may be effected notwithstanding any agreement to the contrary...” Yet recent decisions in the Ninth and Second Circuits have eviscerated that clear Congressional command by permitting a grantee to renegotiate the terms of the grant so as to frustrate recapture by the author’s family. After critically analyzing these decisions, this article provides a comprehensive framework for restoring the integrity and clarity of the termination of transfer provisions. ]]></description>
    <link>http://www.law.berkeley.edu/10086.htm</link>
    <guid isPermaLink="true">http://www.law.berkeley.edu/10086.htm</guid>
    <pubDate>Tue, 29 Dec 2009 09:00:00 -0400</pubDate>
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    <title>Why Plaintiffs Should Have to Prove Irreparable Harm in Copyright Preliminary Injunction Cases </title>
    <description><![CDATA[It has become lamentably common for courts to issue preliminary injunctions in copyright cases once rights holders have shown a reasonable likelihood of success on the merits without going on to require them to prove that they will suffer irreparable harm unless the injunction issues. Harm is too often presumed to be irreparable if plaintiffs have made out a prima facie case of infringement. This presumption cannot be squared with traditional principles of equity, as interpreted in numerous Supreme Court decisions, particularly eBay, Inc. v. MercExchange LLC, 547 U.S. 388 (2006).
<P>While a presumption of irreparable harm is inappropriate in all copyright cases, it is particularly troublesome in cases involving transformative uses of existing works, such as parodies and remixes and mashups, because free expression and free speech interests of creative users are at stake and transformative uses cases often raise plausible non-infringement defenses. Indeed, if any presumption about harm is appropriate in transformative use cases, it should probably run in favor of irreparability of harm to the defendants’ free expression and speech interests under First Amendment case law which treats preliminary injunctions as presumptively unconstitutional prior restraints on speech. </P>]]></description>
    <link>http://www.law.berkeley.edu/10413.htm</link>
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    <pubDate>Thu, 29 Oct 2009 09:00:00 -0400</pubDate>
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    <title>Legal Realism in Action: Indirect Copyright Liability's Continuing Tort Framework and Sony's De Facto Demise </title>
    <description><![CDATA[The Supreme Court's indirect copyright liability standard, derived in Sony Corporation of America v. Universal City Studios from patent law and reasserted in Metro-Goldwyn-Mayer Studios Inc. v. Grokster, Ltd., is widely seen as creating a safe harbor for distributors of dual use technologies. Yet, when one looks to cases decided since Sony, legislative enactments, and the decisions of technology companies in the marketplace, a very different reality emerges. This article explores and explains the broad gulf between the idealized (and idolized) Sony safe harbor and the practical reality. It shows that the law in many respects reflects the tort principles that undergird copyright liability more generally. ]]></description>
    <link>http://www.law.berkeley.edu/10339.htm</link>
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    <pubDate>Tue, 06 Oct 2009 09:00:00 -0400</pubDate>
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    <title>Unwinding Sony </title>
    <description><![CDATA[The dawning of the digital age has brought the Supreme Court's Sony "staple article of commerce" doctrine to center stage in legal and policy discussions about the proper role and scope of copyright protection. To technology companies, it represents a vital safe harbor for product design; to the content industries, this doctrine remains an Achilles heel. The origins of this doctrine have always been somewhat obscure. With nary a peak at the text or the legislative history of the then-recently enacted overhaul of the copyright system, the Supreme Court adverted to patent law to determine the scope of indirect liability - a fundamental issue that would loom large in the shift from the analog to the digital distribution platform for content. A slim majority of the Supreme Court justified this interpretation of the Copyright Act of 1976 on the basis of a vague assertion of "historic kinship" between patent and copyright.
<P>This article scrutinizes this critical logical premise. Part I exhaustively reviews the litigation and correspondence of the justices to understand why the Court paid so little attention to the legislative materials and so much to the patent law. It finds that gaps in the information provided to the Court, in conjunction with the justices' lack of familiarity with copyright law generally and the Copyright Act of 1976 in particular, led the Court astray. Part II tests the "historic kinship" premise, finding that it cannot withstand scrutiny. Had the Court traced the origins of copyright and patent back to their source, it would have seen that they both derive from a common wellspring: tort principles. Concerns about patent misuse and improper leveraging of monopoly power led the courts, and later Congress, to carve out an express safe harbor in patent law for those selling "staple articles of commerce" - products suitable for substantial non-infringing uses. Part III demonstrates that the 1976 Copyright Act envisioned that courts would continue to use the traditional tort wellspring, informed by the distinctive challenges of copyright enforcement. This would have brought the reasonable alternative design framework of products liability law into play. The article shows that this approach would almost certainly have resulted in the same outcome that the Sony Court reached, but of critical importance, it would have provided a more sound and dynamic jurisprudential framework for calibrating liability as new technologies develop. Part IV examines Sony's legacy, showing that subsequent legislative activity, court decisions, and the marketplace reflect a practical reality that lies closer to the reasonable alternative design standard than a broad "staple article of commerce" safe harbor. In reality, Sony's "staple article of commerce" doctrine has proven largely symbolic and unworkable, as Congress, the courts, and businesses in the marketplace have sought to promote product innovation without unduly jeopardizing copyright protection. The failure to recognize that reality, however, breeds doctrinal confusion, distorts case law evolution, and stultifies the larger policy debate over copyright protection in the digital age. </P>]]></description>
    <link>http://www.law.berkeley.edu/10340.htm</link>
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    <pubDate>Tue, 06 Oct 2009 09:00:00 -0400</pubDate>
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    <title>Bankruptcy Treatment of Intellectual Property Assets: An Economic Analysis </title>
    <description><![CDATA[With the rise of intellectual property in the modern economy, bankruptcy treatment of intellectual property assets has taken on ever greater importance. The law in this area must balance different approaches to asset management. Viewing the world from an ex ante perspective, intellectual property laws seek to foster investment in research and development. Freedom of contract plays a central role in maximizing the potential value of intellectual property by encouraging a robust licensing market to exploit the value of intellectual creativity. By contrast, the bankruptcy system generally views asset management from an ex post standpoint, focusing narrowly on how to maximize the value of a failing or failed enterprise. Thus, bankruptcy law affords trustees and debtors substantial leeway to rescind contracts and reorder the affairs of the failed entity. This article examines the rather complex rules governing the treatment of intellectual property assets in bankruptcy and suggests various reforms that could better promote economic efficiency. ]]></description>
    <link>http://www.law.berkeley.edu/10330.htm</link>
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    <pubDate>Tue, 06 Oct 2009 09:00:00 -0400</pubDate>
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    <title>Envisioning Copyright Law's Digital Future </title>
    <description><![CDATA[Copyright initially developed in response to the printing press and gradually evolved to encompass other methods of mechanically storing and reproducing works of authorship, such as photography, motion pictures, and sound recordings. The advent of broadcasting - the ability to perform works at distant points - led to the expansion of copyright to encompass exploitation of creative expression in new markets. The digital revolution represents a third distinct wave of technological innovation that portends significant changes in copyright protection. By bringing about new modes of expression (such as computer programming and digital sampling of music) and empowering anyone with a computer and an Internet connection to flawlessly, inexpensively, and instantaneously reproduce and distribute works of authorship on a wide scale, digital technology represents possibly the most profound challenge to copyright law. This article divides the analysis of digital technology into two categories: (1) squeezing computer software within copyright's non-functionally oriented protection regime and (2) developing new rules and governance institutions to address the ease of reproduction and porosity of the digital platform. Part I of the article traces the two decades of evolution of copyright protection for computer software and demonstrates that copyright law has proven quite adaptable to this hybrid of expressive and utilitarian creativity. The courts have enabled copyright law to serve effectively as an anti-piracy regime without allowing it to intrude unduly into patent law's domain. This holding of the line has in fact moved the battles over legal protection for software into the patent and contract realms. Part II explores the implications of digital distribution of content for copyright's future. Content industries perceive grave threats to their continued existence (and the production of creative works) while technology companies and a growing array of consumer, programmer, and civil liberty organizations fear that further expansion of copyright protection jeopardizes technological innovation and basic civil liberties. A growing cadre of legal academics predict copyrights ultimate demise. As a basis for assessing these claims and understanding the implications of this new and rapidly improving digital platform, this article examines the technological changes taking place, industry structures, the legal environment, and the evolving social and political landscape. Although these forces remain in flux, the digital revolution can be seen increasingly to shift resources and pressure for reform toward copyright enforcement, standard setting (in an effort to develop effective controls on content distribution), antitrust regulation of standard setting processes, and a more general transformation of copyright law from a property rights orientation toward a regulatory regime. ]]></description>
    <link>http://www.law.berkeley.edu/10329.htm</link>
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    <pubDate>Tue, 06 Oct 2009 09:00:00 -0400</pubDate>
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    <title>Author Autonomy and Atomism in Copyright Law </title>
    <description><![CDATA[Digital technology enables individuals to create and communicate in ways that were previously possible only for well-funded corporate publishers. These individual creators are increasingly harnessing copyright law to insist on ownership of the rights to control their musical works, scholarly research, and even Facebook musings.
<P>When individual creators claim, retain, and manage their own copyrights, they exercise a degree of authorial autonomy that befits the Internet Age. But they simultaneously contribute to a troubling phenomenon I call “copyright atomism” - the proliferation, distribution, and fragmentation of the exclusive rights bestowed by copyright law. An atomistic copyright system is crowded with protected works and rights, owned by rights-holders who are numerous and far-flung. This situation can raise information and transaction costs for participants in the creative marketplace, hampering future generations of creativity and thus undermining the very purpose of copyright: to encourage the creation and dissemination of works of authorship for the ultimate benefit of the public.</P>
<P>This article introduces and articulates the copyright atomism concept. It then places atomism in historical and doctrinal context by documenting copyright law’s encounters with proliferated, distributed, and fragmented copyright ownership from medieval monasteries to the Internet age. This history demonstrates the enduring relevance of anxiety about atomism within copyright policy, highlights countervailing concerns, and provides a framework for thinking about how to alleviate the unfortunate contemporary consequences of atomism - and how not to. </P>]]></description>
    <link>http://www.law.berkeley.edu/10079.htm</link>
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    <pubDate>Tue, 11 Aug 2009 09:00:00 -0400</pubDate>
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    <title>Indirect Copyright Liability and Technological Innovation </title>
    <description><![CDATA[Over the past decade, numerous scholars and commentators have asserted that the indirect copyright liability standards applied in the Napster, Aimster, and Grokster decisions, among others, significantly chill technological innovation. This article examines this critical conjecture and offers both a broader framework for assessing the relationship between indirect copyright liability and technological innovation and some suggestive empirical results. The conceptual analysis demonstrates that the question of whether indirect copyright liability chills technological innovation inherently requires consideration of a broader range of social balances, market mechanisms, and roles for mediating institutions. Several countervailing forces, such as the relatively modest capital requirements associated with the technology at issue, the nature of the many established research environments, the philosophical and cultural orientation of many digital technology researchers, various liability-insulating institutions, the ability of investors and technology companies to manage risk, and the importance of technological advance in fields unaffected by copyright liability, suggest that the effects of indirect copyright liability on innovation in replication and distribution technologies will be less dire and more complex than the conjecture suggests. Moreover, the Chilled Innovation conjecture downplays the beneficial effects of indirect copyright liability on the development of balanced technologies (those that tend to balance incentives to create copyrighted works with advances in information dissemination) while ignoring the adverse effects of broad immunity, which fosters deployment of parasitic technologies that tend to drive out balanced technologies. To the extent that the Chilled Innovation conjecture has force, it is not at the basic research and development stages of the innovation pipeline, but rather at the commercialization stage – which is where in the innovation process such effects are most appropriately focused. This limits the effects of choking innovation in its infancy. The article also offers a partial test of the chilled innovation conjecture by examining academic research and patent data. The findings indicate that the Napster-Aimster-Grokster trilogy does not appear to have derailed technological innovation in the peer-to-peer field. ]]></description>
    <link>http://www.law.berkeley.edu/10341.htm</link>
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    <pubDate>Tue, 09 Jun 2009 09:00:00 -0400</pubDate>
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    <title>Legally Speaking: The Dead Souls of the Google Booksearch Settlement </title>
    <description><![CDATA[This short article argues that the proposed settlement of the Authors Guild v. Google lawsuit is a privately negotiated compulsory license primarily designed to monetize millions of orphan works. It will benefit Google and certain authors and publishers, but it is questionable whether the authors of most books in the corpus (the “dead souls” to which the title refers) would agree that the settling authors and publishers will truly represent their interests when setting terms for access to the Book Search corpus. ]]></description>
    <link>http://www.law.berkeley.edu/10404.htm</link>
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    <pubDate>Thu, 16 Apr 2009 09:00:00 -0400</pubDate>
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    <title>Judicial Resistance to Copyright Law's Inalienable Right to Terminate Transfers </title>
    <description><![CDATA[For a century, Congress has sought to protect authors and their families by allowing them to grant their copyrights for exploitation and then, decades later, recapture those same rights. After judicial interpretation of the 1909 Act frustrated this intent, Congress spoke unambiguously in 1976: Termination of the grant may be effected notwithstanding any agreement to the contrary . . . . 17 U.S.C. Section 304(c)(5). Yet, in Penguin Group (USA) Inc. v. Steinbeck, 537 F.3d 193 (2d Cir. 2008), the Second Circuit eviscerated that clear Congressional command by enabling a grantee to renegotiate the terms of the grant so as to frustrate recapture by the author's family. This ruling follows a Ninth Circuit decision similarly allowing a grantee to go through the charade of rescinding and regranting a copyright license for the express purpose of blocking the author's family members from exercising their statutory termination rights. Milne v. Stephen Slesinger, Inc., 430 F.3d 1036, 1046 (9th Cir. 2005). Notwithstanding the unequivocal meaning of the word any in Section 304(c)(5), explicated unmistakably in the legislative history, these decisions invite grantees to engage in all manner of opportunistic behavior to frustrate Congress' clearly expressed language and intent. In this amicus brief supporting grant of certiorari by the Supreme Court in the Steinbeck case, the authors argue that the Court can restore the intergenerational equity that Congress legislated and remove the cloud now hanging over innumerable copyrighted works. ]]></description>
    <link>http://www.law.berkeley.edu/10345.htm</link>
    <guid isPermaLink="true">http://www.law.berkeley.edu/10345.htm</guid>
    <pubDate>Tue, 10 Mar 2009 09:00:00 -0400</pubDate>
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    <title>Unbundling Fair Uses </title>
    <description><![CDATA[Fair use has been invoked as a defense to claims of copyright infringement in a wide array of cases over the past thirty years, as when someone has drawn expression from an earlier work in order to parody it, quoted from an earlier work in preparing a new work on the same subject, published a photograph as part of a news story, made a time-shift copy of television programming, photocopied a document for submission as evidence in a litigation, reverse engineered a computer program to get access to interface information, cached websites to facilitate faster access to them, or provided links to images available on the Internet, just to name a few.
<P>The wide array of fair use cases has led many commentators to complain that fair use is unpredictable. This Article argues that fair use law is both more coherent and more predictable than many commentators have perceived once one recognizes that fair use cases tend to fall into common patterns, or what this Article will call policy-relevant clusters. The policies underlie modern fair use law include promoting freedom of speech and of expression, the ongoing progress of authorship, learning, access to information, truth-telling or truth-seeking, competition, technological innovation, and privacy and autonomy interests of users. If one analyzes putative fair uses in light of cases previously decided in the same policy cluster, it is generally possible to predict whether a use is likely to be fair or unfair. Policy-relevant clustering is not a substitute for appropriate consideration of the statutory fair use factors, but provides another dimension to fair use analysis that complements four-factor analysis and sharpens awareness about how the statutory factors, sometimes supplemented by other factors, should be analyzed in particular contexts.</P>
<P>Parts I through V mainly provide a positive account of how fair use has been adjudicated in a variety of contexts and suggestions about factors that should be given greater or lesser weight in certain fair use policy clusters. Its articulation of the policy-relevant clusters into which the fair use cases typically fall should not, however, be understood as attempting to limn the outer bounds of fair use or to foreclose the development of new policy-relevant clusters. Part VI offers a more normative account of fair use as an integral and essential part of U.S. copyright law that can, in fact, encompass the wide range of fair uses discussed in the Article. It also recaps the key lessons from this Article's qualitative assessment of the fair use case law and points to some encouraging trends in recent cases. </P>]]></description>
    <link>http://www.law.berkeley.edu/10403.htm</link>
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    <pubDate>Thu, 08 Jan 2009 09:00:00 -0400</pubDate>
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    <title>Should Copyright Owners Have to Give Notice about Their Use of Technical Protection Measures? </title>
    <description><![CDATA[Consumers expect to be able to do at least as much with digital content as they have been able to do with analog content, and more. Yet, some copyright owners are using technical protection measures to thwart certain consumer uses of digital content, and rarely do they give effective notice to consumers about these technical restrictions. This article identifies six types of consumer harms that have occurred from inadequate notice, including lack of expected interoperability, privacy invasions, security vulnerabilities, anti-competitive lock-out as to compatible systems, risks of inadvertent anti-circumvention liability, and unanticipated changing terms and discontinued service. It discusses a range of options for responding to the notice inadequacy problem, from trusting the market to substantive regulation that would forbid use of certain kinds of TPM restrictions (such as those that invade user privacy). Because the market has yet to yield effective notice to consumers of TPM restrictions, the article recommends that the Federal Trade Commission investigate the deployment of TPMs in digital content and make recommendations for standard notices that should be provided to consumers about the TPM restrictions. ]]></description>
    <link>http://www.law.berkeley.edu/10046.htm</link>
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    <pubDate>Thu, 20 Dec 2007 09:00:00 -0400</pubDate>
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    <title>A Reverse Notice and Takedown Regime to Enable Public Interest Uses of Technically Protected Copyrighted Works</title>
    <description><![CDATA[The WIPO Copyright Treaty (WCT) recognized the need to maintain a balance between the rights of authors and the larger public interest in updating copyright law in light of advances in information and communications technologies. But the translation of this balance into the domestic laws of the United States and European Union has not been fully successful. In the DMCA, Congress achieved a reasonable balance of competing interests in its creation of safe harbors for internet service providers. However, contrary to its apparent intention, Congress failed to achieve a similar balance of interests when establishing new rules forbidding circumvention of technical protection measures (TPMs) used by copyright owners to control access to and use of their works. The EU Copyright Directive spoke of a commitment to ensuring that certain public interest uses can be made of technically protected works but contains limits that seemingly undermine this commitment. As a result, national implementations of the Copyright Directive have not adequately facilitated public interest uses of technically protected content.
<P>We believe that practical judicial and administrative measures can and should be devised to implement the spirit of the WCT in both the U.S. and EU without reopening the contentious debates that engulfed the process leading up to enactment of the DMCA and the EU Copyright Directive. To this end, we propose adoption of a "reverse notice and takedown" procedure to help achieve some of the balance in anti-circumvention rules that the WCT endorsed, but which implementing legislation has thus far failed to deliver. Under this regime, users would be able to give copyright owners notice of their desire to make public interest uses of technically protected copyrighted works, and rights holders would have the responsibility to take down the TPMs or otherwise enable these lawful uses.</P>
<P>A reverse notice and takedown regime would achieve for the anti-circumvention rules a comparable symmetry with the balance embedded in the ISP safe harbor rules. It would also effectuate the nascent, but not fully realized, legislative intent to permit public interest uses of technically protected digital content, while at the same time protecting copyright owners against circumvention of TPMs that would facilitate or lead to massive infringements. In the U.S., the most likely way to achieve this goal is through judicial interpretation of the anti-circumvention rules through case by case adjudication. In the EU, by contrast, member states could implement a reverse notice and takedown regime in the course of fulfilling their obligations under Article 6(4) of the Copyright Directive, which requires them to ensure that users of technically protected works can exercise certain public interest exceptions. Nations that have yet to implement the WCT may find our proposed reverse notice and takedown regime provides a far more balanced way to comply with the treaty than the approach being promoted by U.S. trade negotiators</P>]]></description>
    <link>http://www.law.berkeley.edu/10405.htm</link>
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    <pubDate>Mon, 20 Aug 2007 09:00:00 -0400</pubDate>
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    <title>Preliminary Thoughts on Copyright Reform </title>
    <description><![CDATA[The Copyright Act of 1976 is far too long, complex, and largely incomprehensible to non-copyright professionals. It is also the work product of pre-computer technology era. This law also lacks normative heft. That is, it does not embody a clear vision about what its normative purposes are.
<P>This article offers the author's preliminary thoughts about why copyright reform is needed, why it will be difficult to undertake, and why notwithstanding these difficulties, it may nonetheless be worth doing. It offers suggestions about how one might go about trimming the statute to a more managemable length, articulating more simply its core normative purposes, and spinning certain situation-specific provisions off into a rulemaking process.</P>
<P>Thirty years after enactment of the '76 Act, with the benefit of considerable experience with computer and other advanced technologies and the rise of amateur creators, it may finally be possible to think through in a more comprehensive way how to adapt copyright to digital networked environments as well as how to maintain its integrity as to existing industry products and services that do not exist outside of the digital realm. </P>]]></description>
    <link>http://www.law.berkeley.edu/10401.htm</link>
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    <pubDate>Thu, 26 Jul 2007 09:00:00 -0400</pubDate>
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    <title>Why Copyright Law Excludes Systems and Processes from the Scope of its Protection </title>
    <description><![CDATA[Contrary to common perceptions, Baker v. Selden is neither the origin of the idea/expression distinction of U.S. copyright law, nor of the merger doctrine (which holds that if an idea is capable of expression in only one or a small number of ways, the work's idea and expression will be considered to be merged, and copyright protection will be unavailable to merged elements). The idea/expression distinction predated Baker, and a close analysis of the Baker decision and of its progeny reveals that the principal contribution of Baker made to U.S. copyright law has been its exclusion of systems, processes, and other useful arts from the scope of copyright protection.
<P>The article demonstrates that Congress intended for section 102(b) of the Copyright Act of 1976 to codify the Baker exclusion of procedures, processes, systems, and methods of operation as well as the pre-Baker exclusion of high level abstractions such as ideas, concepts, and principles. The article contests the interpretation given to Baker by Professor Melville B. Nimmer in his famous treatise, and shows that the Supreme Court's decision in Mazer v. Stein is more consistent with the traditional understanding of Baker than with the Nimmer interpretation. Although the initial impetus to codify the Baker exclusion of systems and processes arose from a concern about the possible overprotection of computer programs by copyright, early software copyright caselaw mistakenly followed the Nimmer treatise's interpretation of section 102(b) as though it codified only the distinction between abstract ideas and expressions. Over time, courts came to perceive that Baker and section 102(b) had broader implications, requiring that functional elements of programs, such as processes or systems embodied in them, should be outside of copyright's scope.</P>
<P>The final section of the article shows that although courts in some cases, such as those involving parts numbering systems, have managed to reach sound results by invoking other copyright doctrines (such as lack of originality), courts should have engaged in straightforward applications of section 102(b)'s exclusion of systems, as some more recent cases have done. The mistakenly narrow interpretation given to Baker by the Nimmer treatise has also led some courts to misconstrue section 102(b) by protecting coding systems and yoga sequences when these elements should be beyond the scope of copyright protection. The article calls for renewed attention to the eight words of exclusion in section 102(b) and to the policies that underlie those exclusions. </P>]]></description>
    <link>http://www.law.berkeley.edu/10406.htm</link>
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    <pubDate>Wed, 25 Jul 2007 09:00:00 -0400</pubDate>
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    <title>The Proper Scope of the Copyright and Patent Power </title>
    <description><![CDATA[As an increasing amount of society's wealth is tied up in intangible assets, strong, clear property rights can make a good deal of sense. But it is also possible to have too much of a good thing, and our society is in danger of reaching that point. Recent scholarship suggests as much: a growing body of literature details the expansion of particular doctrines, the rising burden of IP-related transaction costs, or the pressing need for collective *46 institutions to mediate between individual firms and the mushrooming pile of IP rights they must traverse to do business.
<P>In this Essay, we approach one part of this problem at the source. We argue that there are limits on Congress's power to create and extend intellectual property interests. Such limits are "internal" in the sense that they are the result of the very same constitutional provision giving rise to Congress's power in the first place, the Copyright and Patent Clause of the Constitution which grants the power "To promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries." We argue that the language of the Copyright and Patent Clause may restrict some of Congress's more far-reaching efforts at promoting intellectual property in recent years, particularly in passing ad hoc extensions of copyrights and patents for the benefit of individual companies. We then suggest some approaches that courts might take in evaluating, and perhaps striking down, congressional actions in this area. </P>]]></description>
    <link>http://www.law.berkeley.edu/10382.htm</link>
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    <pubDate>Tue, 22 May 2007 09:00:00 -0400</pubDate>
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    <title>Locke Remixed </title>
    <description><![CDATA[This brief Comment was prepared as part of a conference on Intellectual Property and Social Justice at U.C. Davis Law School in March, 2006. I argue here against a broad legal right to remix digital content - to freely alter or modify pre-existing copyrighted works. I first note that remix culture is flourishing under our current legal regime, partly as a result of high enforcement costs on the part of copyright owners, and partly due to voluntary waivers of copyrights by content owners who see a market opportunity in encouraging remixing. Next, I argue that despite widespread de facto remixing, remixers should not be given a legal right to remix any and all content. I contest the assertion by some theorists that remixing is necessary for the self-actualization of people living in a media-saturated world. I note that themes of rebellion and resistance dominate the narrative of the pro-remix literature, and introduce a counter-narrative: the struggling content creator, trying to make a living creating and selling digital content. Because these creators have a dignity interest in what they create, and because intellectual property rights can help them make a living at what they do, the interests of remixers ought not automatically trump creators' claims. ]]></description>
    <link>http://www.law.berkeley.edu/10386.htm</link>
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    <pubDate>Thu, 15 Feb 2007 09:00:00 -0400</pubDate>
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    <title>The Generativity of Sony V. Universal: The Intellectual Legacy of Justice Stevens </title>
    <description><![CDATA[Justice John Paul Stevens is best known in the intellectual property field for his decision for the Court in Sony Corp. of America v. Universal City Studios, Inc. Sony is among the most significant IP decisions rendered by the Court during the three decades of Justice Stevens's tenure there because of its impact on the copyright and information technology industries.
<P>While Sony is known mainly for the safe harbor from copyright challenges that it established for technologies suitable for substantial non-infringing uses, this article will discuss the generativity of the Sony decision, that is, the impact the decision has had in a range of cases presenting very different facts and legal issues than the Court faced in Sony. Software reverse engineers, add-on software developers, Internet service and access providers, and Internet search engine firms have all relied on Sony in successfully defending against direct and indirect claims of copyright infringement. Sony is likely to continue to be significant in mediating disputes between copyright industries and creative information technology developers and users of information technology.</P>
<P>The article asserts that Sony's generativity is due, in part, to the limited monopoly framework for analyzing copyright claims articulated by Justice Stevens in Sony, which contrasts starkly with the proprietarian framework used in Justice Blackmun's dissent. </P>]]></description>
    <link>http://www.law.berkeley.edu/10412.htm</link>
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    <pubDate>Sat, 19 Aug 2006 09:00:00 -0400</pubDate>
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    <title>Questioning Copyright in Standards </title>
    <description><![CDATA[The rise of the information economy has caused copyright law to become a new actor in the intellectual property rights and standards debate because standard-setting organizations (SSOs) increasingly claim copyrights in standards and charge substantial fees for access to and rights to use standards such as International Organization for Standardization (ISO) country, currency, and language codes and standard medical and dental procedure codes promulgated by the American Medical Association (AMA) and the American Dental Association (AMA).
<P>This article will consider whether standards such as these, especially those whose use is mandated by government rules, should be eligible for copyright protection as a matter of U.S. copyright law. Part I reviews several lawsuits that have challenged copyrights in numbering systems devised to enable efficient communication and will argue that the decisions upholding copyrights in the AMA and ADA codes were incorrectly decided in light of past and subsequent caselaw, the statutory exclusion of systems from copyright, and various policy considerations. Part II considers copyright caselaw and policies that have persuaded courts to exclude standards from the scope of copyright protection under the scenes a faire and merger of idea and expression doctrines. It also considers whether government mandates to use certain standards should affect the ability to claim copyright in those standards. Part III assesses whether SSOs need copyright incentives to develop and maintain industry standards they promulgate and whether arguments based on incentives should prevail over other considerations. It will also identify some competition and other public policy concerns about allowing private entities to own standards, particularly those whose use is required by law. </P>]]></description>
    <link>http://www.law.berkeley.edu/10411.htm</link>
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    <pubDate>Sat, 19 Aug 2006 09:00:00 -0400</pubDate>
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    <title>Digital Rights Management and the Pricing of Digital Products</title>
    <description><![CDATA[As it becomes cheaper to copy and share digital content, vendors are turning to technical protections such as encryption. We argue that if protection is nevertheless imperfect, this transition will generally lower the prices of content relative to perfect legal enforcement. However, the effect on prices depends on whether the content providers use independent protection standards or a shared one, and if shared, on the governance of the system. Even if a shared system permits content providers to set their prices independently, the equilibrium prices will depend on how the vendors share the costs, and may be higher than with perfect legal protection. We show that demand-based cost sharing generally leads to higher prices than revenue-based cost sharing. Users, vendors and the antitrust authorities will typically have different views on what capabilities the DRM system should have. We argue that, when a DRM system is implemented as an industry standard, there is a potential for collusion through technology. ]]></description>
    <link>http://www.law.berkeley.edu/10314.htm</link>
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    <pubDate>Wed, 09 Aug 2006 09:00:00 -0400</pubDate>
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    <title>Should Economics Play a Role in Copyright Law and Policy? </title>
    <description><![CDATA[Given the utilitarian rationale for copyright and the economic incentives this law aims to create for investment in intellectual labor, it is somewhat surprising that economic analysis has thus far played such a small role in copyright law and policymaking. This article suggests several reasons why economic analysis has had such a limited role in the past and why there may be resistance within the copyright policymaking community to giving economic analysis a more substantial role in the future. It goes on to give some examples of legislative uses of economic analysis to inform sound policy-making and of uses and misuses of economic analysis as a tool in interpreting the scope of copyright. The article predicts that economic analysis will have more influence in legislative, policy, and judicial interpretation of copyright in the future. ]]></description>
    <link>http://www.law.berkeley.edu/10408.htm</link>
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    <pubDate>Thu, 04 Aug 2005 09:00:00 -0400</pubDate>
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    <title>Challenges in Mapping the Public Domain </title>
    <description><![CDATA[This essay considers positive, normative and political reasons for creating a map of the public domain and contiguous terrains. For far too many years, the public domain has either been invisible or been viewed in a negative way. By positively describing the contents of the public domain, it is possible to articulate normative reasons why the public domain is valuable to society. And by articulating the normative values of the public domain, it becomes possible to develop political strategies for protecting the public domain from undue incursions.
<P>The essay also considers also several criticisms that might be levied at the author's first effort at public domain mapmaking, including its U.S.-centricity. It shows how US-centric terminology can be purged from the map so that the map can become useful in an emerging international conversation about the public domain. The essay discusses a second problem, namely, that the contents of the public domain vary from nation to nation. An accurate international meta-map of its contents may be difficult or impossible to design, and yet the essay suggests how the meta-map might be constructed. A third problem the essay considers is that there is no universally accepted definition of the term "public domain." There may, in fact, be many definitions of the public domain, not just one. The essay demonstrates several mappings to depict different definitions. Fourth, the boundaries of the public domain may shift over time, as laws and policies affecting its contours change. To be accurate, a map of the public domain will need to be redrawn every time a significant legal change occurs. Yet this is also true for maps generally, and is not an insurmountable obstacle. Fifth, there are numerous murky areas surrounding the public domain that a conscientious map-maker may find difficult to depict. The essay discusses the contents of these murky areas and why a public domain map ought to have a sector for murky areas. Sixth, the term "map" draws upon real property metaphors that are already too prevalent in intellectual property debates. If the goal is to enrich public policy debates about the public domain, perhaps reinforcing the "property" metaphor is unwise. Yet, the essay concludes that this objection does not outweigh benefits that may come from such a map. Seventh, the public domain map arguably distorts the size and centrality of the public domain and contiguous IPRs. And yet, maps, by their nature, distort the phenomena they depict in order to highlight aspects of the phenomena that might otherwise be obscured.</P>
<P>The essay explains why, notwithstanding these reservations, I persist in believing that mapping the public domain is a worthy endeavor and something akin to the maps of the public domain provided in the essay are useful policy tools. If one aspires to preserve the public domain through an international treaty, to take one example, one will need a rich conception of this domain, and a map may be a useful tool in developing consensus about protecting the public domain through a treaty. Maps are also useful in articulating various values that different parts of the public domain serve and why preserving the public domain is in the public interest. </P>]]></description>
    <link>http://www.law.berkeley.edu/10418.htm</link>
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    <pubDate>Tue, 19 Jul 2005 09:00:00 -0400</pubDate>
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    <title>Intellectual Property </title>
    <description><![CDATA[This chapter of the forthcoming Handbook of Law and Economics (A.M. Polinsky &amp; S. Shavell (eds.)) provides a comprehensive survey of the burgeoning literature on the law and economics of intellectual property. It is organized around the two principal objectives of intellectual property law: promoting innovation and aesthetic creativity (focusing on patent and copyright protection) and protecting integrity of the commercial marketplace (trademark protection and unfair competition law). Each section sets forth the economic problem, the principal models and analytical frameworks, application of economic analysis to particular structural and doctrinal issues, interactions with other legal regimes (such as competition policy), international dimensions, and comparative analysis of intellectual property protection and other means of addressing the economic problem (such as public funding and prizes in the case of patent and copyright law and direct consumer protection statutes and public enforcement in the case of trademarks). ]]></description>
    <link>http://www.law.berkeley.edu/10327.htm</link>
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    <pubDate>Fri, 15 Jul 2005 09:00:00 -0400</pubDate>
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    <title>The Story of Baker v. Selden: Sharpening the Distinction Between Authorship and Invention </title>
    <description><![CDATA[This Story grows out of a study of the Supreme Court Record and other historical materials about the well-known 1880 copyright case of Baker v. Selden. Among the surprises the Story reveals are that Selden was not, as some have surmised, the author of a treatise on bookkeeping, nor was he the inventor of the now universally used T-account system of bookkeeping. Selden's books are better described as minor variants on one another, consisting of 20-some pages of bookkeeping forms with sample entries, a short preface, and an introduction. Most of the 650 words of text in the last book puff the merits of his system rather than explaining how to use it. Baker, not Selden, is mentioned in works on the history of bookkeeping, and Baker's books on bookkeeping (but not Selden's) are still available in various public and university libraries. Though burdened with thousands of dollars of debt, Selden's widow hired a prominent intellectual property lawyer to represent her in the lawsuit against Baker which charged him with pirating the Selden system. She believed she was owed damages (in today's dollars) of a quarter-million dollars a year from Baker and his customers. Baker probably lost at the trial court level because he hired an inexperienced young lawyer; Baker won before the Supreme Court in part because he was represented by a team of supple heavy-hitters.
<P>The most important lesson of this Story concerns the legal principle the Court was trying to promulgate. Although Baker v. Selden is widely cited as the genesis of the "idea/expression" distinction in copyright law, the Story shows that this distinction predated Baker. Nor is Baker the genesis of the "merger" doctrine (which holds that if an idea can only be expressed in one or a small number of ways, copyright law will not protect the expression because it has "merged" with the idea). The main objective of the Supreme Court's decision was to sharpen the distinction between authorship and invention. The complaint spoke of Selden as the author and inventor of several books and of a bookkeeping system. His lawyer kept speaking about its novelty in the state of the art. Selden's widow claimed exclusive rights not only to stop Baker from publishing competing books, but also to collect damages from all of Baker's customers for their use of the infringing system. That Selden had sought, but apparently not obtained, a patent on his bookkeeping system seems to have affected the Court.</P>
<P>To clarify the proper roles of patent and copyright in protecting the fruits of intellectual labor, the Baker opinion introduced a new framework for analyzing copyright claims. It directed courts to consider whether the defendant had copied the author's description, explanation, illustration, or depiction of a useful art (such as a bookkeeping system) or ideas, or had only copied the useful art or ideas themselves. In the absence of a patent, the useful art depicted in a work, along with its ideas, could be used and copied by anyone, even in directly competing works. Any necessary incidents to implementing the art (e.g., blank forms illustrating use of the system) could likewise be used and copied by second comers without fear of copyright liability.</P>
<P>The Baker opinion's rich analysis of the roles of copyright and patent in protecting intellectual creations has, over the past 125 years, spawned at least eight significant copyright doctrines, including four codified in the Copyright Act of 1976, as well as a few enduring controversies. </P>]]></description>
    <link>http://www.law.berkeley.edu/10423.htm</link>
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    <pubDate>Thu, 16 Jun 2005 09:00:00 -0400</pubDate>
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    <title>Indirect Copyright Liability: A Re-examination of Sony's Staple Article of Commerce Doctrine</title>
    <description><![CDATA[This article is based on an amicus brief filed in METRO-GOLDWYN-MAYER STUDIOS INC., et al., v. GROKSTER, LTD., a case before the U.S. Supreme Court addressing indirect copyright liability for distribution of software that facilitates file sharing on peer-to-peer (P2P) networks. This case turns on whether the Supreme Court's landmark decision in Sony Corp. v. Universal City Studios, Inc., 464 U.S. 417 (1984), effectively immunizes the software distributors in this case from contributory or vicarious liability on the grounds that such software is capable of substantial non-infringing use.
<P>The article re-examines Sony's jurisprudential foundation. In that case, the Court transplanted an express categorical limitation on indirect liability from the Patent Act into the Copyright Act, notwithstanding that Congress had only recently reformed the Copyright Act without including any such limitation on liability among the many express exemptions, limitations, and immunities contained in the statute. Furthermore, Congress reaffirmed the continued applicability and evolution of infringement standards through case-by-case adjudication. The Sony decision failed to examine the important differences between patent and copyright protection. Whereas patent law seeks to promote technological innovation and evolved a staple article of commerce doctrine primarily out of concern for unduly expanding patent scope, copyright law seeks to promote cultural and social progress, manifesting a more cautious stance toward technological dissemination, particularly where a technology threatens widespread piracy of expressive works. Products that encourage patent infringement do not threaten harm beyond a single patent or cluster of patents, whereas the technology at issue in the Grokster case threatens systemic harm to the copyright system by promoting rampant unauthorized distribution of all manner of works of authorship. Therefore, the uncritical transplantation of Patent Act's immunity for dual-use technologies into the Copyright Act poses grave dangers that were beyond the Supreme Court's view when it decided the Sony case in 1984, before the digital revolution took hold. Furthermore, amendments to the Copyright Act since the Sony decision demonstrate that Congress does not believe that dual-use technology - i.e., technology that is capable of both infringing and substantial non-infringing uses - should be treated as inviolate under copyright law. Rather, Congress has shown that it sees a need to balance the efficacy of the copyright system for promoting creative expression against social interests in technological innovation and consumer autonomy. </P>]]></description>
    <link>http://www.law.berkeley.edu/10336.htm</link>
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    <pubDate>Fri, 11 Mar 2005 09:00:00 -0400</pubDate>
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    <title>The Constitutional Law of Intellectual Property After Eldred v. Ashcroft </title>
    <description><![CDATA[Scholarly discourse about the constitutional law of intellectual property will not die out after the Supreme Court's decision in Eldred v. Ashcroft, but only enter a new phase. Many significant constitutional questions remain open after Eldred, and Eldred opened up some new possibilities for constitutional challenges.
<P>Although Dastar v. Fox mainly presents a question of statutory interpretation about whether publishers of a derivative work of a public domain work must credit the original author of the work or face liability for reverse passing off, the case was argued in part on constitutional grounds. Those engaged in the debate about whether the public domain is a constitutionally significant interest will construe the Court's decision in constitutional terms. The result in Dastar may also have implications for constitutional challenges to legislation granting copyright in works that were for many years in the public domain due to failure to comply with U.S. formalities for copyright protection. The Court has repeatedly insisted that Congress cannot create intellectual property rights in public domain works in constitutionally inspired rulings. Eldred may have decided that Congress could extend the terms of existing copyrights, but it did not deal with the resurrection of dead copyrights, as the new cases do.</P>
<P>Also much disputed is the constitutionality of database protection legislation proposed in Congress akin to the new intellectual property regime created in the EU that confers on publishers an exclusive right to control extraction and reuse of data from databases. The Court in Feist insisted that the U.S. Constitution required a creativity-based standard for copyright (and presumably for copyright-like) protection of databases. While the Supreme Court did not accept the extension of the principles of Feist for which Eldred argued, it did not abjure Feist. Hence, EU-style database protection may be unconstitutional. Eldred also suggests that higher First Amendment scrutiny may be required when assessing changes to the traditional contours of intellectual property law, such as EU-style database protection and the DMCA anti-circumvention rules, calling into question the Second Circuit's decision in Universal City Studios v. Corley. Even if such laws can surmount facial challenges to their constitutionality, the article gives examples of "as applied" challenges likely to be successful.</P>]]></description>
    <link>http://www.law.berkeley.edu/10422.htm</link>
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    <pubDate>Wed, 16 Jul 2003 09:00:00 -0400</pubDate>
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    <title>Pre-existing Confusion in Copyright's Work-for-Hire Doctrine</title>
    <description><![CDATA[In order to protect authors and artists from unremunerative transfers of copyright, Congress for the first time created, in the Copyright Act of 1976, an inalienable right to terminate transfers of copyrights during a five-year window beginning 35 years from the date of the transfer. Such inalienablity, however, posed substantial uncertainty to the exploitation of many works of authorship. In particular, works combining multiple copyrighted elements - such as collective works and motion pictures - could become unavailable due to the difficulty of relicensing all of the constituent components. For that reason, Congress provided a mechanism for precluding termination of at least some transfers. In the case of a "work made for hire," the hiring party acquires ownership of the copyright upon a work's creation, thereby dispensing with any transfer from the author and hence obviating any termination of such transfer 35 years later. To avoid the exception swallowing the rule, Congress circumscribed the situations under which a work qualifies for treatment as a "work made for hire." It must either be prepared by a true employee or specially ordered or commissioned and fall within one of nine categories, such as "contribution to a collective work" and "part of a motion picture or other audiovisual work."
<P>This article examines a potentially significant and heretofore unrecognized conundrum of the 1976 Copyright Act relating to the "contribution to a collective work" category. Congress defined "collective works" as comprised of "preexisting materials." Yet the work made for hire provision contemplates "contributions to collective works" being specially ordered or commissioned. How is it possible for a publisher or record label to specially order or commission contributions that already exist? The authors' journey into the complex evolution of the 1976 Copyright Act reveals that Congress did not intend that "contributions to collective works" preexist their commissioning, even though the inartful drafting of some of the Section 101 definitions suggest otherwise. For purposes of applying the work for hire doctrine, courts should either ignore the use of the term "preexisting" in the definition of "collective work," or interpret the term "contribution to collective work" to include "contribution to yet-to-be-assembled collective work" in the definition of "work made for hire." The article also elucidates the legislative history underlying the right to terminate transfers, a right which will have justiciable implications beginning in 2003. </P>]]></description>
    <link>http://www.law.berkeley.edu/10331.htm</link>
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    <pubDate>Tue, 17 Dec 2002 09:00:00 -0400</pubDate>
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    <title>Economic and Constitutional Influences on Copyright Law in the United States </title>
    <description><![CDATA[After U.S. accession to the Berne Convention in 1988, many scholars have expected an increasing convergence between U.S. and EU copyright law. Even though some developments in U.S. copyright law evidence a move towards the European model, this article concludes that deep differences will continue to exist between U.S. and EU copyright law, chiefly because of the influence of economic thinking on the scope of copyright law in the U.S. and the influence of the U.S. Constitution. The economic and constitutional underpinnings of U.S. copyright law give rise to a legal regime whose principles and purposes fundamentally differ in many respects from the 'author-centric' regimes of EU nations. Although the article deals with the historical moorings of U.S. copyright law, it offers numerous examples to demonstrate how economic and constitutional reasoning manifest themselves in modern judicial pronouncements on everything from copyright protection for computer programs to the unprotectability of unoriginal data compilations. These decisions have used economics and the Constitution to adapt U.S. copyright law to new technological challenges. ]]></description>
    <link>http://www.law.berkeley.edu/10407.htm</link>
    <guid isPermaLink="true">http://www.law.berkeley.edu/10407.htm</guid>
    <pubDate>Fri, 20 Oct 2000 09:00:00 -0400</pubDate>
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